About

Paul Louis Metzger, Ph.D., is the Founder and Director of The Institute for the Theology of Culture: New Wine, New Wineskins. He serves as New Wine’s catalyst for cultivating a community of people brought together around a shared vision of bearing witness to Christ in contemporary culture. The New Wine, New Wineskins framework is integrated into Dr. Metzger’s courses at Multnomah Biblical Seminary, where he serves as Professor of Christian Theology and Theology of Culture. New Wine is an official program of the Seminary. Dr. Metzger is editor of the journal Cultural Encounters: A Journal for the Theology of Culture, which is a publication of The Institute for the Theology of Culture.

Integrating theology and spirituality with cultural sensitivity stands at the center of Dr. Metzger’s ministry vision. He and his wife, Mariko, a native of Japan, have been active in intercultural ministry in churches in the States, Japan, and England. Dr. Metzger is the author of Connecting Christ: How to Discuss Jesus in a World of Diverse Paths (Thomas Nelson, May 2012); New Wine Tastings: Theological Essays of Cultural Engagement (Cascade, 2011); The Gospel of John: When Love Comes to Town (InterVarsity Press, 2010); Exploring Ecclesiology: An Evangelical and Ecumenical Introduction (co-authored with Brad Harper; Brazos, 2009); Consuming Jesus: Beyond Race and Class Divisions in a Consumer Church (Eerdmans, 2007); and The Word of Christ and the World of Culture: Sacred and Secular through the Theology of Karl Barth (Eerdmans, 2003). He is co-editor of A World for All?: Global Civil Society in Political Theory and Trinitarian Theology (co-edited with William F. Storrar and Peter J. Casarella; Eerdmans, 2011); and editor of Trinitarian Soundings in Systematic Theology (T&T Clark International, 2005).

Dr. Metzger received his Ph.D. from King’s College London, University of London, and is a member of the Center of Theological Inquiry, Princeton, New Jersey. The Metzgers have two children. Dr. Metzger has a keen interest in the art of Katsushika Hokusai and Georges Rouault and in the writings of John Steinbeck.

 

 


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