Because of Joan of Arcadia VI

There is a moment in season 1, episode 9 of “Joan of Arcadia” that chills me to the bone. Joan is in history class; the subject is the Hundred Years War; the teacher flashes an image of Joan of Arc on the screen. Joan Girardi, typical teen, looks up with a sudden shock of recognition: Me—a saint—the same?!

This moment gets at the essence of this show and why we care about saints, too. For this moment, a saint is not a story from a book, not even a real person whose exploits are too far above modern-day Joan to matter. For this moment, the saint is Joan’s sister. The saint is Joan, the saint is Joan herself.

This is why the saints matter. This is why this silly melodrama about a teenage girl who talks to God still matters to me.

I suspect this episode (“St. Joan”) or the one before it (“The Devil Made Me Do It”) ran during November sweeps. Because with these two stories, the series really hit its stride, taking on questions too serious for most family-night TV watching in contemporary America. What a pity.

In episode 8 (“The Devil Made Me Do It”), God poses an impossible dilemma for Joan. Appearing as a power-walking woman whom Joan meets on her way to school, God tells Joan to help out with the high school art show. The reason seems harmless enough: “Be more physically active!” God chirps. “A happy outlook is all about endorphins.” The Sermon on the Mount it’s not. But when Joan walks into the art room, God walks in, this time as a security guard, and says He would rather Adam’s art was not part of the show.

Adam is Joan’s lovable friend, a talented abstract sculptor whose precocious work is all done in memory of his late mother. God asks Joan to see that Adam’s work is not part of the show? How could that be just? Why would God do that? For the remainder of the show—which includes a surprise encounter with Grace’s rabbi (!) father (who knew Grace was Jewish?!)—Joan has to wrestle with a key question: Would God ever tell her to do something evil? If not, how can Joan know that God is God, and not the devil in disguise?

The rabbi gives one answer : Our own inclination to evil, he says, comes between us and God. This inclination thrives on “moral confusion.” What to do? “Confuse the confuser.”

The priest who has been counseling Joan’s mother has a different take:

Joan: So the devil really exists?
Priest: Yes, but one of his tricks is to get people to believe he doesn’t exist. Or to take on the guise of our Lord. 
Joan: The devil imitates God?
Priest: In essence. 
Joan: Is he any good?
Priest: Very good. In fact, in the Book of Revelation it tells us that when the Antichrist first appears, the godly may be fooled. 
Joan: Yeah, like when you first hear Dave Matthews and think he might be good, but he’s not. 
Priest: I don’t know who that is. 

In the end, Joan simply does not know how to follow God’s directive. When Adam wins the art show and sells his piece for $500, he decides to use the prize as seed money to leave school for a full-time art career. Joan realizes this is a terrible mistake, that Adam is not mature enough yet, that he will be lost. She goes to the art room and smashes Adam’s sculpture. Adam remains in school (good), but Adam says he will never be Joan’s friend again, if he ever was (bad).

A final encounter with God (the power-walker again) provides the complex moral of the story:

Joan: I’m having second thoughts about you.
God: It’s called a crisis of faith. It’s all right. It’s not really faith if there’s no crisis. Faith is an act of will, not a feeling.
Joan: How do I know you’re not the devil? . . .
God: I understand you’re confused, but there are no dilemmas without confusion, there’s no free will without dilemmas, and there’s no humanity without free will. 
Joan: You know, I don’t understand what you’re saying. It’s all just blah, blah, blah. . . . 
God: You’re confused because I asked you to do something you thought was wrong.
Joan:  I tried talking Adam out of it. I tried buying it. I tried stealing it. What else is there? You wanted me to smash it?
God: Don’t blame me for your failure of imagination. What you have to ask yourself is, what are you going to do now? Every new decision is another chance to do the right thing. You don’t get that from the other side.

Episode 9 (“St. Joan”) presents another central question in our search for God—not what if God is the devil in disguise, but what if faith is delusional? Joan’s history teacher asserts that while legend has it that Joan of Arc talked to God, “Sigmund Freud would have given Joan’s parents a different explanation: paranoid schizophrenia with a messianic complex.” For the rest of the episode, while a plot involving the history teacher unfolds, Joan will repeatedly ask herself, “I’m not crazy, am I?”

Tree-surgeon God tells Joan, a C student, to get an A on her next history test. As usual, Joan takes God at his word and reads several books on Joan of Arc to prepare. When Joan gets an A+, evil vice principal Gavin Price demands that she retake the test, because she must have cheated. Grace Polk (feminist firebrand, daughter of Rabbi Polanski) takes Joan’s case to the barricades, organizing a student strike over this terrible injustice. Joan gets swept up in the strike—until God intervenes.

God: About this revolution, cut it out. This wasn’t part of the plan.
Joan: What do you mean? I’m taking a stand. It’s perfect. 
God: You do know the end of Joan’s story. . . . 
Joan: They don’t burn people anymore, do they? Especially not kids?
God: I’m not really here to discuss martyrdom with you, Joan. Like most things having to do with me, it’s complicated. Retake the test. 
Joan: What?!
God: Retake the test. . . . Here’s the thing you need to learn from the martyrs, Joan: They did it the hard way. That’s what I’m asking of you.

God’s intervention makes for a minor miracle. Joan’s history teacher, we learn, gave up a promising music career to go into education, but he began “mailing it in” years ago, “a teacher’s greatest fear.”

Teacher: Before this event, I was going to quit. This was going to be my last year. It was causing me a lot of pain. I was surrendering in defeat, like the French at Agincourt, floundering in the mud of my students’ indifference. But I made you care about history, Miss Girardi. I don’t know how I did it, but I did, and that’s the whole point! You inspired me to take back my crown. I thank you.
Joan: You have no idea how incredibly cool this is. 
Teacher: Oh, yes I do. 

Next week: “Drive, He Said” and “The Uncertainty Principle”

To Read this Entire List of Catholic Fiction!

Thanks to Karen for forwarding this list of Catholic fiction from Amazon, in response to my post earlier today. Your further comments are welcome here or there.

Survey #3: Because of What Catholic Fiction?

A few weeks back I asked readers to cite poems that have inspired them. The results, summarized a few days later, sent me off in search of verse by Donne, Thompson, Yeats, and Auden. Next, I asked for hymns, and because my knowledge of music is even poorer than my knowledge of poetry, I let the comments at the bottom of this post serve for summary.

It’s time for Catholic fiction. Having explained why I found Kristin Lavransdatter moving and Brideshead Revisited seriously amusing, I am now on the hunt for inspiring fiction written by Catholics. Any Catholic fiction will do, as long as it inspires, as long as it makes a man or woman say, “Yeah, a Catholic wrote that, and I’m proud to say I’m a Catholic too.”

Meanwhile, I’m going to settle down with a library copy of In this House of Brede by Rumer Godden, because two of you recommended it today.

Because the Holy Ghost Over the Bent World Broods

I was really, seriously thinking about throwing this blog overboard a couple of days ago. It’s a long story, but I wrote the short form to a friend last night: I have been trying to navigate past shoals inner and outer. It is hard to avoid capsizing a tiny vessel like this. You want to keep it real, but you have to keep it confidential as well, all the while holding your inner demons at bay. We all have them, I imagine. I know I do. I know it now.

Enough mystery: Yesterday morning, I was really down about it all—loving the writing, hating much else about the process. I had sworn to at least one beloved person in my life: That’s it! Final post! I’ve had it. Then I received an e-mail from an American woman I will call Roberta.

Roberta wrote me a few weeks back about her struggles with the Church, which were effectively political. She loves the Church, but can’t understand the attitudes of many within the Church. Yesterday morning, as I was writing my blogger’s suicide note in my mind, Roberta wrote that she had begun attending daily mass again—because of this blog. I was flabbergasted. Then I began blubbering.

My poor daughter Martha: She and I had a 1 pm phone appointment to discuss a book project we are co-authoring, but the moment I said hello, she knew I was in trouble. By that time, sandbagged by Roberta and beset with memories of my father, together with missing my daughters, and so on and so on in a sort of emotional avalanche, I was a basket case. Fortunately, Martha understands her dad pretty well.

But really: What do you call that force that sends that e-mail from Roberta just when it is most needed by a hysterical male blogger halfway across the country? I’m just crazy enough, just Catholic enough to think that you call it the Holy Spirit, which in Hopkins’s beautiful poem

. . . Over the bent 
World broods with warm breast and with ah! bright wings.

To Spend the Rest of My Life Reading Books Like This

During my 40 years in the wilderness, reading was a mostly desultory pursuit. I went through a Dickens kick, a Civil War period, a David Foster Wallace frenzy, and a time of pure adoration for Norman Maclean. But there was no aim, no theme to my reading. It was like belonging to a Book-of-the-Month Club in which each season’s selections are chosen at random. By contrast, in the two years since I entered RCIA, I have read almost nothing but Catholic subjects. I’m pretty sure I will spend the rest of my life doing more of the same.

And yet if you had told me five or ten years ago that Catholicism was intellectually appealing, I’m not sure I would have followed. I thought of it as devotional, as something you do. I saw all those Catholics crossing Cabot Street on their way into Mass every Sunday and I thought rosary—confession—novenas (whatever those were). I was married to a Catholic (still am through God’s grace and Katie’s graciousness), but I had no idea what it might actually be like to be a Catholic.

I certainly never imagined it would be like the most exciting week in my life, the week I still dream about frequently: my first week as a freshman in college. All those books, and all the time in the world to read them! Forget Scripture, the Church Fathers, or the latest essay in First Things. What I love is, all that Catholic fiction! Some I have read: Kristin Lavransdatter, the Father Brown mysteries of Chesterton, selected stories by Flannery O’Connor, Mariette in Ecstasy. But so many I still have left to read: anything by Graham Greene, Death Comes for the Archbishop, The Chronicles of Narnia, and until today at lunchtime, Evelyn Waugh’s Brideshead Revisited. 

Webster Discovers America! I know I am probably one of the last adult Catholics in the old British Empire who had neither read nor watched Brideshead Revisited until today. I finished the book at one o’clock. Tomorrow the DVDs arrive from Amazon.

A book like Brideshead makes me tickled to be a Catholic. Several readers of this blog suggested it to me, as had a couple of Catholic friends previously, but somehow I associated it with everything overly serious about Masterpiece Theater. Jeremy Irons never appealed to me, although he was pretty funny as Klaus von Bulow in Reversal of Fortune. (“You’re a very strange man, Mr. von Bulow!” “You have no idea.”) It was finally George Weigel’s writeup in Letters to a Young Catholic that sent me out to Borders looking for Brideshead. Like Kristin Lavransdatter, it is a “Catholic novel” that I wanted to begin re-reading the moment I had finished the last page. Though I’m lazy enough to wait for the DVDs.

What kind of Catholic novel is Brideshead Revisited? A very sneaky one. You’re nearly a quarter of the way through it before Waugh offers any details about the religion of the family at the heart of the novel, the Marchmains, whose country seat is known as Brideshead. On page 86 in my edition, the narrator says of his Oxford chum Sebastian Marchmain, “Often, almost daily, since I had known Sebastian, some chance word in his conversation had reminded me that he was a Catholic, but I took it as a foible, like his Teddy-bear.”

If Waugh was in any sense evangelizing why did he ever pick such an unorthodox family as Catholic exemplars? Sebastian—a confirmed drunk who carries a stuffed animal around Oxford with him—is not only the most eccentric but, for narrator Charles Ryder, the most compelling of the Marchmains. It is Ryder’s love for Sebastian (love, apparently, in all its forms) that leads him to Brideshead and his encounter with Catholicism. Though he doesn’t realize that this is what he is encountering until almost the very end of the novel—after he has fallen in love with Sebastian’s sister Julia and the two have divorced their respective spouses in order to marry. By this time, Sebastian has died of disease somewhere in Africa, tended by monks who refused him admission as anything other than a menial laborer. His younger sister, Cordelia, who may still end in a convent, reports that Sebastian ended his life somewhere between an alcoholic stupor and spiritual ecstasy. 

In the final chapter of the narrative (a prologue and epilogue frame the main story), Lord Marchmain, father of the family, comes home to die. Here—for the three other English-speaking Catholics who have not read Brideshead—I will leave off telling the tale and beg you to read it for yourself. The love between Charles and Julia must bow to a greater Love, and there is perhaps a suggestion in the epilogue that, despite a deep skepticism flashed throughout the novel, Charles himself may be on his own winding road to Rome. There are better, deeper surprises.

I suspect that the majority of those who have loved this novel have not even been Catholics. George Orwell was one of them, calling Waugh “as good a writer as it is possible to be while holding untenable positions.” But for the Catholic minority of readers, few books could be as entertaining, thought-provoking, or pride-inducing. At least that’s how I felt: seriously amused, perplexed, and proud.

Because a Tornado is Coming

Katie and I rarely go to the movies, so when I proposed a movie date Saturday night and she counterproposed the new Coen Brothers movie, “A Serious Man,” I jumped at the chance. I know it’s hardly the latest film to open, but I no longer imagine I’m in the cultural avant garde. Thank God.

Spoiler alert: It’s hard to talk about this film without discussing the ending, exactly the way you can’t look seriously at your life without thinking about how it will end.

Catholic alert: This is a Jewish movie, which may be why it has received scant mention in the Catholic press. This is a pity, because this is a serious movie about religious faith and culture. The filmmaking brothers Coen are children of Abraham. Whether they are in any sense observant Jews today would be hard to say, judging by the movie. Yet from the opening scene—a prologue in Yiddish, involving a dybbuk who appears in an Eastern European shtetl of a previous century—we are clearly dealing with a film made by Jews about Jewish culture.

Then why did it hit so close to home for me, a Catholic convert?

From the shtetl of the prologue we move to the suburbs of America circa 1967, or shortly after Jefferson Airplane released their first major hit, “Somebody to Love,” which has a pivotal place in the film. The serious man is Larry Gopnik (Michael Stuhlbarg), a college physics professor teaching Heisenberg’s uncertainty priniciple, whom we first see undergoing a chest x-ray. We soon learn that Larry is coming up on both his tenure hearing and his son’s bar mitzvah. Meanwhile, Larry’s life is falling apart. His wife has announced that she is leaving him for another man, Sy Ableman. Sy Ableman?! he asks. We’ve been having problems, you and I, his wife says. Yeah, but Sy Ableman?!

Sy is a newly sensitized modern man, sporting a full beard, a natty tam o’shanter, and powder-blue sportswear. He arrives at Larry’s house for a man-to-man talk bearing the anesthetics of contemporary life: good wine and psychobabble. His first gesture is to hug Larry. In a later scene, where Larry’s wife is present, Sy places his hairy hand thoughtfully on Larry’s folded fists, while offering self-help pablum about the impending divorce. Larry is too kind, too confused to do what he obviously wants to do: lay Sy out flat.

Larry moves out while waiting for the divorce proceedings, which means moving into the Jolly Roger Motel with his troubled brother Arthur. From this point on, Larry is looking for understanding, clarity, certainty, and he looks to his religion in the form of a succession of rabbis, working his way up the ladder from a clueless junior rabbi through a self-important CEO type toward the ultimate soothsayer, Rabbi Marshak, an old bearded sage reminiscent of the dybbuk of the prologue.  Larry never gets in to see Rabbi Marshak, who is too important or just too old to see anyone but the newly bar-mitzvahed.

So Larry’s religious culture gives him no answers; even his son’s bar mitzvah will be a travesty, when the son shows up stoned. And yet. Circumstances alone start working in Larry’s favor again: Sy Ableman is killed in a car accident; Larry gets tenure after days of nail-biting; and it seems that with Sy out of the way, Larry’s marriage may even be salvageable. And yet. The wheel turns again, and in the penultimate scene, Larry gets an urgent call from his doctor asking him to come in right now to talk about the results of that chest x-ray. In the final scene, Larry’s son’s Hebrew class is alerted to an approaching tornado. As the tornado bears down and the students watch helplessly from the schoolyard, the Hebrew teacher fumbles with the keys to the storm shelter. It is uncertain whether he can save the class from violent death.

Recently I have been hit with uncertainty. A situation that I thought was ideal has begun showing cracks. It’s nothing as serious as my health or Katie’s, but it’s something deeply unsettling. I thought everything was going so well. And yet. Perhaps not. Watching Larry Gropnik react fearfully to the changing circumstances of his life, I was reminded uncomfortably of my own. I squirmed in my seat at the cinema. I do not doubt that many Jews are buoyed by their faith. Larry, however, was not, and in that wonderfully symbolic final scene, I saw that the teacher who appeared to have the keys to salvation was, in fact, unable to lead his students to safety.

A tornado is coming. Probably it will arrive unannounced, much like the urgent call from Larry’s doctor, or like my father’s diagnosis of melanoma last year. Who will be holding the keys to the shelter when that storm hits, when that phone call comes? In my tradition, St. Peter holds the key: to the Church, to the Kingdom. But will the door open for me?

That depends, I believe, on faith, on the grace of faith. Is my faith strong enough to stand in the winds that will blow? Is it even strong enough today, in the mild breeze that ruffles my hair?

“A Serious Man” is a serious movie, and I would recommend it for any Jew or Catholic with serious questions, or any atheist for that matter. Just don’t expect to hear the answer from the lips of Rabbi Marshak.

Because I Can’t Do It Alone

I have been talking with a dear friend who is in conflict about something. Like someone with an angel on one shoulder and a devil on the other, he can’t understand why the conflict persists. Late into a recent night, I finally said, “But man, you can’t do it alone!” And there it was: another reason why I am Catholic.

As the liturgy does so often, the readings for today spoke directly to this question in my heart. Paul writes to the Romans: “The willing is ready at hand, but doing the good is not. For I do not do the good I want, but I do the evil I do not want.” And a bit further on: “Miserable one that I am! Who will deliver me from this mortal body? Thanks be to God through Jesus Christ our Lord.”

This is why we need the Church in its broadest meaning: the Holy Spirit working through the sacraments, the priesthood which administers the sacraments as vicars of Christ, and especially (it seems to me this morning) the fellowship of our fellow Catholics who share with us in the sacraments. Let’s face it: we “miserable” sinners need all the help we can get!

I thought of this especially this morning after mass, when I interviewed brothers Tony, John, and Frank Pietrini (left to right) for the parish newsletter. They are three out of ten offspring of an Italian-American couple who settled in Beverly over eighty years ago. They were raised on the third floor of a three-family house a couple blocks from St. Mary’s Star of the Sea Church. All seven surviving Pietrini children and their families still lived within a mile of the church until just a year ago, when one sister moved fifteen miles away to be closer to her children.

This is not an “authorized” biography of the Pietrini brothers and I won’t go into more detail. (You’ll have to read the parish newsletter.) I will say that Tony, John, and Frank are three of the happiest-looking seventy- and eighty-year-old men you’re ever likely to meet, and when I began showing up at morning mass two years ago, they were among the first to welcome me. I feel about them the way I feel about Frank Kwiatkowski and Frank Gaudenzi: I want to be just like that when I’m a little older.

I don’t know all the details, but I’m quite sure that the Pietrinis have essentially configured their lives to and around the Catholic Church. They are unanimously and unequivocally loyal to the church and its many pastors through the years. Father Barnes is a very good priest, they agree, but they were also fond of Monsignor Deagan and Fathers Darcy, Shields, McNamara, Lahey, Johnson, Hughes, et al. You won’t hear a critical word pass their lips when they talk of the priesthood. 

That kind of loyalty, that kind of obedience to the church and its leaders, is something I am quite comfortable with. I understand the Protestant notion of sola scriptura—Scripture alone is enough, I don’t need the Church—but I am personally not strong enough to be guided by scripture alone. As Thomas More says to daughter Margaret in a different context, and I’m paraphrasing: “Some men may be capable of this, but I am loathe to think your father one of them.”

I have listened for years to the angel and devil debating from shoulder to shoulder. And like my friend I have remained in conflict, a conflict I alone cannot resolve. I need the Church, and since becoming a Catholic I am happier, more comfortable in my own skin than I have ever been. The angel and devil still argue, but often I just shrug and smile.

I know the rebuttal: “You’re blindly obedient. You follow a Church that, time and again through history, has proved to be corrupt.” In fact, my own father anticipated this rebuttal when he wrote at the end of his memoir:

There have been times in my life when I wondered whether I couldn’t make a good monk. I believe strongly in discipline, though not unquestioning obedience to leadership. I believe that if you’re going to do something, you should try to do it as well as you can and work at it. I believe that satisfaction comes from the struggle of trying to do things well.

And the gospel reading for today spoke to this. “ . . . You hypocrites!” Jesus said. “You know how to interpret the appearance of the earth and the sky; why do you not know how to interpret the present time? Why do you not judge for yourselves what is right? . . . ”

As Father Giussani, founder of Communion and Liberation, taught, we are called to make judgments, and not to give what my father called “unquestioning obedience to leadership.” We can interpret the weather, but we don’t make the effort usually (we hypocrites!) to judge our experience from the vantage point of ultimate values, which are reflected in the deepest needs of our hearts.

We need the Church, yes, and God gave us freedom too. Which means that while adhering to the Church, while following, I must also exercise my freedom and make judgments. Because if I don’t, I will be turned over to the judge, and the judge will hand me over to the constable, and the constable will throw me into prison. Nor will I be released until I have paid the last penny.

I have enough of my father in me to know that I could never hold with the other Protestant shibboleth: sola fide—we are saved through faith alone. I think that making judgments and living a life of increasing sanctity is really something I have to work at. Other men may be capable of this, but I am loathe to think I am one of them. Because, at least in my case, the angel and the devil are still yammering at each other.

Because Some Words Make My Heart Vibrate

I often lie awake in the small hours of the night. It’s a soon-to-be-old-man thing. Last night, both to get back to sleep and to avoid waking Katie, I read a Kindle book by the teeny light of my iPhone. Tonight, after thrashing around wondering whether it’s time to start posting again, I’m writing about it.

I was reading George Weigel’s book Letters to a Young Catholic. As a book publisher, I wonder how much of the $7.03 Kindle download fee Weigel is earning as a royalty, but as a reader I couldn’t care less. Letters to a Young Catholic is a lot of book for $7.03.

It hardly matters what I was reading from Weigel; it was the section on GK Chesterton (left), but it could as easily have been the one on Brideshead Revisited, which I picked up today at Borders at full retail. Weigel’s a wonderful read, especially for me; I am “young” as a Catholic convert if not as a JAG (football coach Bill Parcells’s acronym for “just a guy”). My point, though, is not the content of the Weigel book but the experience I had reading it.

With the lights off in the middle of the night, with the bright light of daily living dimmed down too, you can be intimately aware of your inner experience. “What my heart feels” becomes literal. Some thoughts, some readings in cases like this, can cause a distinct vibration in your chest, a warmth like the one you might feel in recognizing an old friend or finding the lost piece of silver. I felt that sensation while reading Letters to a Young Catholic—not just that it was “speaking to me,” but that it was speaking to the deepest needs of my heart.

This month, Communion and Liberation (CL) groups around the world (known in the parlance as “Schools of Community”) have been reading a short monograph by Fr. Julian Carron about the critical importance of making “judgments.” I thought I understood something about what this meant last night while reading Weigel. Making a judgment is a complicated notion and I can’t possibly exhaust its meaning here, but it boils down to weighing experience against the deepest needs of your heart. We grow through experience, Carron says, only when we “judge” it.

Reading Weigel by the light of my iPhone, I felt that I was in the presence of a dear friend who had something ultimately important to tell me. Two dear friends, actually. Standing alongside Weigel, overshadowing him literally, was the rotund GKC, explaining with the words of his book Orthodoxy, just exactly why I am a Catholic. “But that’s it exactly,” I thought, as my heart vibrated. “And that too—and that too.”

We judge things against other things, by contrast, and although Carron does not use this notion exactly, I did just this last night. An iPhone being an iPhone, mine periodically vibrated in my hand, indicating that, while reading Weigel on Chesterton, I had received an e-mail. And being a JAG, of course I pumped the control button and touched the e-mail command to see who or what it was that was trying to “reach” me at this hour. And each time I did so, my heart stopped. The moment I turned away from Weigel to pick up some trivial thread of quotidian experience, it was as though my heart literally stopped beating. The sensation of vibrant warmth vanished, and I was suddenly lost in “learning” something about the world. I had this experience not just when trashing a piece of junk mail but even when reading the New York Times lead story for the coming day, which flashed to me as it always does around 3:20. Last night that lead story was about the pope’s dramatic offer to the Anglican communion, which you might think would be “heart-warming” to Catholics everywhere. In fact, it is heart-warming to me too, but not that kind of heart-warming. 

The book that was most influential in my converting to Catholicism, My Life with the Saints by James Martin, S.J., tells a wonderful story of St. Ignatius of Loyola that perfectly mirrors my experience last night:

Confined to his sickbed, Iñigo asked a relative for some books. All she could offer was pious reading, which he took grumpily and grudgingly. To his great surprise, the soldier found himself attracted to the lives of the saints and began thinking, If St. Francis or St. Dominic could do such-and-such, maybe I could do great things. He also noticed that after thinking about doing great deeds for God, he was left with a feeling of peace—what he termed “consolation.” On the other hand, after imagining success as a soldier or impressing a particular woman, though he was initially filled with great enthusiasm, he would later be left feeling “dry.”

I dried out instantly last night each time I looked at my e-mail. Which makes me wonder just how dry most people’s daily lives are. As a JAG, I am “most people.” As a Catholic, I often feel an inner call to something else entirely.

(If my computer clock is working better than my circadian clock, this post will be date-stamped around 3 a.m. Time to get back to bed, back to Weigel, and, in about 20 minutes inevitably, back to the New York Times.)

Thanks to Good People Like Father Danielsen

I received an e-mail last evening from a priest living in a foreign country whom I will call Father Danielsen. He and I have corresponded off and on since he discovered this blog a few weeks back, and his comments have been uniformly supportive. I feel very grateful for his comments and for his support, and he has not been alone in offering them. Many people close to me—and quite far from me too—have responded joyfully and supportively.

But last night Father Danielsen did something different. He told me to slow down. It was my own confession in this post that this blog “has taken over my life” that did it. Here’s what he wrote in response:

Your blog has been a joy to read, but I enjoy it most when you keep to the basic score: “Why I am Catholic.” That was a very genial idea. You are at your best when you share the simple things that you ENJOY and APPRECIATE about being Catholic, the things for which you discover yourself to be profoundly grateful. But when you started linking to other blogs, right and left, I found myself thinking: “Oh, oh, it’s happening!” I don’t read your blog to follow links to other blogs. I read yours because in your writing about the people around you in your parish, I can see my own lifelong Catholicism and the Church herself in fresh and simple ways. On a number of occasions what you wrote has made me smile and sent me off on a reverie—remembering people and places and events from my own life—until my screen saver kicked in. Please don’t feel that you HAVE to keep this going at any cost. Don’t feel that you absolutely have to post one or two or three different things each day. You have heard the term “burnout” before, haven’t you? No one who suffers from it ever expected to. I don’t want to read: “Folks, that’s it! I’m quitting this blog because I need to get my life back!” I’d be happy to see you post once a week or less if it’s a genuine “Why I am (happy to be) Catholic” moment.

I shot back a sort of weak rebuttal combined with thanks, which of course is a contradiction. And Father Danielsen’s comments have been rattling around inside me ever since. Especially because I have spent valuable time today meditating on my “saint of the day,” Hilarion, a spiritual son of St. Anthony of the Desert, and believe me, I can’t find one honest reason to write about him. Hilarious, wouldn’t you say?

I started this blog with a purpose—to sort out the reasons why I am a Catholic and to communicate them clearly and effectively to people I love, especially my wife and children. When did I start going off track? Probably when I received the first praise from “someone important.” But certainly when I started tracking response to the blog with “the best software available.” And yet—the purpose remains, along with my love of being Catholic.

So here’s my proposal, gentle reader. I will not be posting every day, or every other day necessarily. I will post when the Spirit moves me, and I hope, I pray that I will not take that promise lightly. I will post when something inside me says, “I love being a Catholic, and I want people to know why, and here it is . . . ” Then I will do my best to tell you why.

And by the way—for all those, like Ferde, who think my Friday posts on “Joan of Arcadia” are throwaways, you have another thing coming. Because I will continue posting on Fridays about JoA! And any other day I have a good reason to be Catholic.

Meanwhile, if anyone wants to send me their heartfelt reasons for being Catholic, I will review them and post those that I think can make a difference.

Until the next time the Spirit moves . . .

Thanks to Fragments of Christian Culture That Always Stayed with Me

From age 15 to my mid-50s, I rarely attended church, and still I’m pretty sure that God never abandoned me. Even when I found myself bobbing on an open sea without a life jacket, tiny bits of prayer and praise came to me like driftwood, like the coffin to which Ishmael clung. “A Mighty Fortress is Our God,” the Doxology, the Our Father, the First and Greatest Commandment: These were four pieces of my Christian past that stayed with me.

At boarding school I studied German in my senior year. I loved the sound of the German language, still do. Some call it harsh, rough, crude; I find it beautiful. It might be that it makes my Anglo-Saxon roots ring. (FYI, Bull is not an Italian name, nor is Heffelfinger, my grandmother’s maiden name.) For some reason, whenever I studied a foreign language, I loved discovering the translations of my favorite English verses, which were more often the original words from which “my” English had been translated. In German class I learned the original German of “A Mighty Fortress is Our God”: Ein feste burg ist unser Gott, a hymn written by Martin Luther (left) himself.  I can’t remember it all now, but I’m quite sure that I learned at least one full verse of this Protestant power hymn and spent a good week or two striding around campus in the manner of cracked adolescents everywhere, beating out four-four time with my right hand and muttering the hymn to myself with a fabulous faux German accent. It was consoling; it was, to use an overused term properly, empowering. I still feel the power of that hymn anytime I hear it, inside or outside my head. (This version is both grandiose and fruity enough to allow you to picture the cracked adolescent I once was.)

Like most boarding school students, I went home on vacation from time to time, and on these occasions, I went to Episcopal church with my parents—now more as a tourist than as a native. I distinctly remember a moment that always brought me back to childhood experience of the church: when we sang the Doxology, which if I recall correctly was sung as the offertory was presented:

Praise God, from Whom all blessings flow;
Praise Him, all creatures here below;
Praise Him above, ye Heavenly Host; 
Praise Father, Son, and Holy Ghost. Amen.

Forty years later, at my father’s funeral in that Episcopal church, I was brought to tears by nothing so much as by this Doxology. We did not bless ourselves, of course, when we came to the final statement of the Trinity, but I think it was this line, above any other, that led me to ponder the meaning of Father, Son, and Holy Spirit. (I still prefer Ghost = Geist, a good, strong Germanic word.)

I took a year off during college to travel through Europe at the beginning of what became, for lack of a better term, the eastern spirituality phase of my life. Here, in Paris, I studied French at the Alliance Française for several months, and as I had done in German class, I learned the local version of a favorite piece of devotion, in this case the Our Father. Notre père, qui es aux cieux, que ton nom soit sanctifiée— It struck me as both curious and comforting that in French one addresses God with the intimate, personal form of You—tu, toi, ton, ta, tes—instead of the formal vous, vôtre. It brings God closer. What I remember most vividly is sitting at a particular sidewalk café, where we often sat late into the night, silently repeating to myself, Nôtre pere, qui es aux cieux . . . It was an odd devotion in those days of studying Buddhism, sufism, and related belief systems. But it returned to my consciousness regularly, and it strengthened me.

Back in college after a year off, I went through a period when the First and Greatest Commandment—Though shalt love the Lord, thy God, with all thy heart, with all thy soul, with all thy mind, and with all thy strength—was a sort of “mantra” for me (again because eastern thought systems seemed more congenial in those years). It amuses me now, and also pains me, that I never seemed to move on to the Second Commandment, Thou shalt love thy neighbor as thyself. I’m still working on that one. But while I do so, God, in His full triune form, yet close enough to hug—a mighty fortress and an intimate friend at the same time—is here with me, from moment to moment, each time I remember.


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