Literary courage vs. literary cowardice

Literary courage vs. literary cowardice

Diana West writes a telling contrast between the courage of the late Alexander Solzhenitsyn and the cowardice of today’s literary establishment, as evidenced by Random House withdrawing at the last minute a book about Muhammad’s 9 year old bride due to fears Muslims will not approve. From Free Speech Jilted by Muhammad Romance Novel ‘Warpath’:

Reading about the late Aleksandr Solzhenitsyn, we are reminded of his epic force of will — despite the threat to life and limb posed by the Soviet police state — to bear witness, to document, to record everything he could about totalitarianism in the USSR.

Then, reading about Random House Publishing Group, which called off the publication of a romance novel about Muhammad “for fear of a possible terrorist threat from extremist Muslims,” we should be reminded of something else: How apt was Solzhenitsyn’s much-maligned critique of the West, which he excoriated for, among other things, a decline in “civil courage” that was “particularly noticeable among the ruling groups and the intellectual elites.”

Read the whole account, which details both what Solzhenitsyn went through to write about Communism (including the KGB’s murder of his typist), and the skittish, politically-correct, Islamophilic behavior of the Random House editors. The column closes with another quote from the great Russian novelist:

“Should one point out,” he asked, “that from ancient times a decline in courage has been considered the beginning of the end”?

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