Part Four: Tradition Guest Post By Daniel Siedell Today’s post concludes our occasional series on “The Poetics of Painting.” While touring an exhibition of Frank Stella’s paintings in 1970, critic Rosalind Krauss asked the exhibition’s organizer, fellow critic Michael Fried, why Stella, a Minimalist, felt compelled to paint stripes, again and again. Fried responded with this story: When Stella was a student at Princeton, he would take the train into Manhattan and go to the Met where he would sit... Read more