This post, continued from yesterday, appears as the Editorial Statement in Image issue #93 on the art of film guest edited by Gareth Higgins and Scott Teems. Kieślowski’s Blue is a master class in film form—everything there is to learn about editing and sound design can be found in its first ten minutes—but what lingers longest in the memory is the slow softening of Juliette Binoche’s face over the course of its exquisite hour and a half. Though time and tragedy have rendered her countenance... Read more