One thing leads to another

These uber cool sci fi mugs naturally make me think of John C. Wright’s outstanding essay on fiction ocassioned by Ross Douthat’s outstanding rumination on Avatar.

My own rumination: Douthat is simply right when he says:

Traditional theism has to wrestle with the problem of evil: if God is good, why does he allow suffering and death? But Nature is suffering and death. Its harmonies require violence. Its “circle of life” is really a cycle of mortality. And the human societies that hew closest to the natural order aren’t the shining Edens of James Cameron’s fond imaginings. They’re places where existence tends to be nasty, brutish and short.

The great lie of paganism is that you become more human by worshipping the creature instead of the Creator. You don’t. You become less human. Because nature isn’t all there is, and the worship of the creature tends, apart from grace, to become the worship of the fallen angel what with our being enslaved to original sin and all. As Chesterton says:

In dealing with the lighter thing called mythology, I have said little about the most disputable aspect of it; the extent to which such invocation of the spirits of the sea or the elements can indeed call spirits from the vasty deep; or rather, (as the Shakespearean scoffer put it) whether the spirits come when they are called. I believe that I am right in thinking that this problem, practical as it sounds, did not play a dominant part in the poetical business of mythology. But I think it even more obvious, on the evidence, that things of that sort have sometimes appeared, even if they were only appearances. But when we come to the world of superstition, in a more subtle sense, there is a shade of difference; a deepening and a darkening shade. Doubtless most popular superstition is as frivolous as any popular mythology. Men do not believe as a dogma that God would throw a thunderbolt at them for walking under a ladder; more often they amuse themselves with the not very laborious exercise of walking round it. There is no more in it than what I have already adumbrated; a sort of airy agnosticism about the possibilities of so strange a world. But there is another sort of superstition that does definitely look for results; what might be called a realistic superstition. And with that the question of whether spirits do answer or do appear becomes much more serious. As I have said, it seems to me pretty certain that they sometimes do; but about that there is a distinction that has been the beginning of much evil in the world. Whether it be because the Fall has really brought men nearer to less desirable neighbours in the spiritual world, or whether it is merely that the mood of men eager or greedy finds it easier to imagine evil, I believe that the black magic of witchcraft has been much more practical and much less poetical than the white magic of mythology. I fancy the garden of the witch has been kept much more carefully than the woodland of the nymph. I fancy the evil field has even been more fruitful than the good. To start with, some impulse, perhaps a sort of desperate impulse, drove men to the darker powers when dealing with practical problems. There was a sort of secret and perverse feeling that the darker powers would really do things; that they had no nonsense about them. And indeed that popular phase exactly expresses the point. The gods of mere mythology had a great deal of nonsense about them. They had a great deal of good nonsense about them; in the happy and hilarious sense in which we talk of the nonsense of Jabberwocky or the Land where Jumblies live. But the man consulting a demon felt as many a man has felt in consulting a detective, especially a private detective; that it was dirty work but the work would really be done. A man did not exactly go into the wood to meet a nymph; he rather went with the hope of meeting a nymph. It was an adventure rather than an assignation. But the devil really kept his appointments and even in one sense kept his promises; even if a man sometimes wished afterwards, like Macbeth, that he had broken them.

In the accounts given us of many rude or savage races we gather that the cult of demons often came after the cult of deities, and even after the cult of one single and supreme deity. It may be suspected that in almost all such places the higher deity is felt to be too far off for appeal in certain petty matters, and men invoke the spirits because they are in a more literal sense familiar spirits. But with the idea of employing the demons who get things done, a new idea appears more worthy of the demons. It may indeed be truly described as the idea of being worthy of the demons; of making oneself fit for their fastidious and exacting society. Superstition of the lighter sort toys with the idea that some trifle, some small gesture such as throwing the salt, may touch the hidden spring that works the mysterious machinery of the world. And there is after all something in the idea of such an Open Sesame. But with the appeal to lower spirits comes the horrible notion that the gesture must not only be very small but very low; that it must be a monkey trick of an utterly ugly and unworthy sort. Sooner or later a man deliberately sets himself to do the most disgusting thing he can think of. It is felt that the extreme of evil will extort a sort of attention or answer from the evil powers under the surface of the world. This is the meaning of most of the cannibalism in the world. For most cannibalism is not a primitive or even a bestial habit. It is artificial and even artistic, a sort of art for art’s sake. Men do not do it because they do not think it horrible; but, on the contrary, because they do think it horrible. They wish, in the most literal sense, to sup on horrors. That is why it is often found that rude races like the Australian natives are not cannibals; while much more refined and intelligent races, like the New Zealand Maories, occasionally are. They are refined and intelligent enough to indulge sometimes in a self-conscious diabolism. But if we could understand their minds, or even really understand their language, we should probably find that they were not acting as ignorant, that is as innocent cannibals. They are not doing it because they do not think it wrong, but precisely because they do think it wrong. They are acting like a Parisian decadent at a Black Mass. But the Black Mass has to hide underground from the presence of the real Mass. In other words, the demons have really been in hiding since the coming of Christ on earth. The cannibalism of the higher barbarians is in hiding from the civilisation of the white man. But before Christendom, and especially outside Europe, this was not always so. In the ancient world the demons often wandered abroad like dragons. They could be positively and publicly enthroned as gods. Their enormous images could be set up in public temples in the centre of populous cities. And all over the world the traces can be found of this striking and solid fact, so curiously overlooked by the moderns who speak of all such evil as primitive and early in evolution, that as a matter of fact some of the very highest civilisations of the world were the very places where the horns of Satan were exalted, not only to the stars but in the face of the sun. Take for example the Aztecs and American Indians of the ancient empires of Mexico and Peru. They were at least as elaborate as Egypt or China and only less lively than that central civilisation which is our own. But those who criticise that central civilisation (which is always their own civilisation) have a curious habit of not merely doing their legitimate duty in condemning its crimes, but of going out of their way to idealise its victims. They always assume that before the advent of Europe there was nothing anywhere but Eden. And Swinburne, in that spirited chorus of the nations in ‘Songs before Sunrise,’ used an expression about Spain in her South American conquests which always struck me as very strange. He said something about ‘her sins and sons through sinless lands dispersed,’ and how they ‘made accursed the name of man and thrice accursed the name of God.’ It may be reasonable enough that he should say the Spaniards were sinful, but why in the world should he say that the South Americans were sinless? Why should he have supposed that continent to be exclusively populated by archangels or saints perfect in heaven? It would be a strong thing to say of the most respectable neighbourhood; but when we come to think of what we really do know of that society the remark is rather funny. We know that the sinless priests of this sinless people worshipped sinless gods, who accepted as the nectar and ambrosia of their sunny paradise nothing but incessant human sacrifice accompanied by horrible torments. We may note also in the mythology of this American civilisation that element of reversal or violence against instinct of which Dante wrote; which runs backwards everywhere through the unnatural religion of the demons. It is notable not only in ethics but in aesthetics. A South American idol was made as ugly as possible, as a Greek image was made as beautiful as possible. They were seeking the secret of power, by working backwards against their own nature and the nature of things. There was always a sort of yearning to carve at last, in gold or granite or the dark red timber of the forests, a face at which the sky itself would break like a cracked mirror.

In any case it is clear enough that the painted and gilded civilisation of tropical America systematically indulged in human sacrifice. It is by no means clear, so far as I know, that the Eskimos ever indulged in human sacrifice. They were not civilised enough. They were too closely imprisoned by the white winter and the endless dark. Chill penury repressed their noble rage and froze the genial current of the soul. It was in brighter days and broader daylight that the noble rage is found unmistakably raging. It was in richer and more instructed lands that the genial current flowed on the altars, to be drunk by great gods wearing goggling and grinning masks and called on in terror or torment by long cacophonous names that sound like laughter in hell. A warmer climate and a more scientific cultivation were needed to bring forth these blooms; to draw up towards the sun the large leaves and flamboyant blossoms that gave their gold and crimson and purple to that garden, which Swinburne compares to the Hesperides. There was at least no doubt about the dragon.

Given that we are already practicing human sacrifice on an enormous scale to the gods of comfort and convenience, we really shouldn’t be surprised at this.