“Tears are to the soul what soap is to the body.” – Yiddish proverb (h/t)
When my workplace announced that it was going to be holding another active shooter training, I couldn’t decide whether I should go. I’d already taken the training a couple of years ago. Was it obsessive to go twice? Well, there were probably details that I’d forgotten over time. In an earthquake, there’s only one thing you can do–duck and cover–but there are various strategies for surviving a shooting, which change based on a lot of factors and require split-second decisions.
So, this afternoon, I went to my second training. It was announced before San Bernadino happened, but the room was bursting with over a hundred librarians, library assistants, and student staff, so you could tell the latest catastrophe was on everyone’s mind. And, honestly, San Bernadino (isn’t this amazing, the shorthand we now use for all our shootings?) was probably the tipping point for me, too. I work in a large library that serves as a campus hub at a major university. When I think about where on campus a shooter would choose to open fire, my only cold consolation is that he might choose the student union instead. (Phew, other people will get killed and not me. Phew, he’ll go there instead because the spaces will make people easier targets. What a relief! I’ll sleep well tonight!)
Overall, I’m really glad I went to the training. I learned and re-learned a lot of techniques, ranging from the obvious to the obscure:
- Run. Whenever you’re in a building, be aware of the nearest exit. Don’t try to be a hero; no matter what happens in your fantasies, there is most likely nothing useful you can do.
- If you can’t get to an exit, get to a room, turn off the lights, and lock the doors. Stay quiet. If someone’s panicking, do whatever you need to do to shut them up.
- (My god, I suddenly thought. We are actually talking about this as if it’s normal.)
- If the door won’t lock and swings in, wedge a doorstop or a folded notebook underneath it. If the door swings out, wrap a belt tightly around the hydraulic closer or the push bar. Pile furniture against it if you can. A shooter’s goal is to get as high a kill count as possible in the handful of minutes that the shooting will last. If he has any trouble getting into a room, he’ll avoid the delay and look for easier targets. He wants to be remembered for his numbers.
- (I am a fucking librarian, I thought. It’s preposterous that this is now part of my job.)
- When you’re trapped in a room, look for any objects near you that you can use as a weapon. Scissors. A blunt object. A fire extinguisher you can spray. A water bottle you can squirt in his face. Go for the head and neck area. The point is to throw him off kilter just long enough for someone to tackle him. Stay low, close to the door, so you’re not an easy target and you can surprise him.
- A simple technique to disarm him if he comes in: grab the arm holding the gun and fall to the floor. Your weight will bring him down. You can see it in action in this drill for high school teachers. You can’t just cower in a corner and hope that he misses you. Many shooters have trained themselves to hit targets. If you cower, you will get shot.
- If you’re outside and you hide behind a car, hide behind the front, not the back. The engine will stop the bullet but the trunk might not.
- To sum up: if you can’t get out, be prepared to fight. You have a better chance if you’re fighting than if you’re staying still.
- (Librarians and teachers and shopping mall staff and office workers are forced to be braver than politicians, I thought. We have to train to make up for their cowardice.)
There happened to be some therapy dogs in the library for our end-of-quarter stress relief program. We snuggled them.
It wasn’t until I got home that I let myself cry.
Because, see, the cop didn’t just stand there telling us about these techniques. He showed us this video developed by the California Sheriff’s Department. The video contains depictions of shooting after shooting after shooting: in an office, in a school, on the street. It’s extremely graphic. Watching it doesn’t feel like you’re watching a Hollywood-style thriller. Watching it literally feels like watching a nightmare. Bang, bang, bang. Kill, kill, kill.
Trigger warning for violence: skip this paragraph if you have to. I holed myself up in my bedroom and I thought about the first woman to get killed in the video: one minute a unique human being, the next a giant explosion of blood on the wall. I thought about the gunman who holds his gun up to his head when he’s done; the involuntary yelp of horror from the coworker sitting next to me. I thought of all the actors falling like dominoes–the jerk of impact, the collapse.
I couldn’t just tell myself that the video wasn’t real, because for every actor who pretended to die, there are about a hundred people who actually died in the exact same way. I let myself weep. I thought of Shekhinah weeping for her exiled children, and I let myself become Shekhinah and wept and wept. While I wept, the Morrigan devotee in me calmly reviewed and filed away all the techniques I’d learned. I wept for human beings who only see other human beings as targets. I wept for all the beautiful lives that have ended in an instant of pain and terror. I wept for all the shootings that have blurred together. I wept at the thought of a shooter in my daughter’s preschool, in my husband’s classroom. I wept for the broken, violent people we’ve let ourselves become.
Those in power have no intention of getting us out of this disaster. We can’t get out, so we have to fight.
Tonight I wept. Tomorrow I’ll fight.