GODSTUFF: Faith, Family And Failure In “Big Love”

As HBO’s “Big Love” heads into its fifth and final season, series creators Mark V. Olsen and Will Scheffer are turning their attention back to the bread-and-butter themes that have made their show

so compelling: faith and family.

Gone are the non sequitur plot turns of last year’s frenetic season

(that included, improbably, black market parrot trading, eugenics, and

Native American casino gambling). The soul of “Big Love” has always

dwelled in the living room(s) of the fictional Henrickson family,

composed of a husband, three wives and too many children to count.

While the show is “about” a modern-day polygamist Mormon family in

Utah, it is really about something much more universal. Once you get

past the sexual and emotional complexities of the Henricksons’

unconventional living arrangements, what remains is a sensitive and

articulate portrayal of the nature of belief.

“It’s about the (family’s) struggle to understand their faith,”

Scheffer told TV Line when asked about the theme of “Big Love’s” final

season. “That question of faith becomes a very centralized theme for the

entire season.”

Added Olsen: “It’s the ultimate chickens coming home to roost. The

bargains and deals that (the three wives) made in their lives, with

their identities and how they came into this marriage, are all tried by

fire. All of the characters have a journey this season, a journey that

(bookends) where they began the series five years ago.

Season four concluded last year with Bill Henrickson (Bill Paxton)

and his three wives — Barb (Jeanne Tripplehorn), Nicki (Chloe Sevigny)

and Margene (Ginnifer Goodwin) — publicly “coming out” as polygamists,

on the steps of the Utah state capitol, after Bill’s successful election

as a state lawmaker.

If the premiere episode, which aired on Sunday (Jan. 16), is any

indication of what is to come, season five will explore what happens

after the closet door is thrown open and the family walks out into the

unforgiving light of day.

How will they live their faith now that their true identity is no longer a dirty little secret?

The curtain has been yanked back, revealing the man (and family)

behind the carefully crafted public image. The Henricksons are terribly

vulnerable, isolated, and battling doubts about coming out of their

closet, the veracity of their beliefs in “the principle” (divinely

ordained plural marriage) and the strength of their terribly human

faith.

Their family is quite literally under attack. Their children are

bullied and beaten. Bill is spit upon by a constituent and ostracized

by his colleagues in the legislature. Margene is fired from her job hawking costume jewelry on a home shopping network — a job that gave her a sense of power, independence

and self-worth — because she violated a morals clause in her contract

by revealing the truth about her family.

Barb, who was excommunicated from the Church Jesus Christ of

Latter-day Saints (thus losing her salvation) a few

seasons back because of her polygamy, is flailing spiritually, trying to

figure out what’s true about her faith, family and commitment to both.

Only Nicki, the family’s resident fundamentalist, seems relatively

unfazed by the family’s public persecution. Having spent most of her

life isolated on a crazy polygamist compound, Nicki’s natural

disposition is a siege mentality. In a fashion, her innate legalism and

paranoia are a comfort in these desperate times.

Each of the spouses faces fundamental questions about their faith