Last updated on: March 10, 2015 at 10:03 am
By
Cathleen Falsani
It began with the music. Full stop. Back in the early '80s, someone gave Simon a cassette tape of instrumental songs by the South African group the Boyoyo Boys. After a few weeks of listening to it on repeat, Simon says he wasn’t interested in listening to anything else. Simon contacted a music producer in South Africa to ask about the possibility of traveling to Johannesburg to record a track with the Boyoyo boys. He’d written some lyrics, wasn’t sure what he’d do with song, but just had to record it. Seems simple enough, but remember, this was 1985. Nelson Mandela still was in prison (on year 22 of his sentence and more than five years away from his eventual release.) Apartheid struggles and extreme racial tensions in South Africa had reached a vicious zenith. And there also was a cultural boycott in place. Artists — no matter how famous or big-hearted they might be — were supposed to stay away from the country. Larry Waronker, then the president of Simon’s record label, Warner Brothers, told him, “You can do that here. You don’t have to go there.” “No,” Simon said. “I’m going down there.” Read more