Recently I wrote about Cardi B.’s smash hit, WAP. There I argued that WAP stands in line with a long history of existentialist thought on human nature and the desire for liberation. That song, and its performer, along with their philosophical and literary predecessors, articulate a kind of “theologia diaboli,” or theology of the devil. Now, even more explicitly, another cultural poet has presented us with a very similar kind of anti-theology. Some might simply argue that Lil’ Nas X’s... Read more