Last year was called the year of the faith-based movie, and in a lot of ways, it was. Three straight-up Christian flicks (Heaven is for Real, God’s Not Dead and Son of God) each made more than $50 million. Another two movies theoretically made with a faith-based audience in mind—Noah and Exodus: Gods and Kings—banked even more. Only problem: Secular audiences had no use for the former, and most evangelical Christians kinda hated the latter. This fall, though, we’re about... Read more