Fanny Crosby is the most prolific hymn-writer in church history—so prolific that no matter what sort of hymns project an artist records, one or more of her tunes is bound to find its way onto it. So, Ernie Haase & Signature Sound reasoned, why not go all the way and just devote a whole album to nothing but Fanny Crosby tunes? This is a natural choice after they were included on a project putting some of her unpublished lyrics to new music (which I did not review, but you can hear samples from here). Haase also announced in a press release yesterday that they are planning to dig even further into her unpublished catalogue to write future tunes. This comes as welcome news to me, since, quite frankly, a lot of the music from other artists on the New Hymns project struck me as flat and uninspired. Haase, together with Wayne Haun, were a couple of the only people who seemed to “get it.”
But, for now, we have this project of old favorites to enjoy, and it’s a nice treat to tide us over while we wait for new tunes. Not content with by-the-numbers treatments, Signature Sound has worked hard to offer some original musical ideas, while still respecting these classic hymns. Here are my quick takes on each arrangement:
1. Blessed Assurance: Perhaps Crosby’s most covered tune, but Haase & Co. are up to the challenge of injecting some fresh life into it. The pace is slowed down for a deep southern-fried, bluesy take, anchored by Paul Harkey’s rumbling bass. Grandma might not be quite sure what to make of it, but as for me, “There’s a dobro and lots of B-3 Hammond” is all I need to know.
2. He Hideth My Soul: Oh good, somebody heard that I ordered more B-3 Hammond! But even without all the wonderful little touches from the full band, this arrangement could easily be an acoustic live number that brings the house down with nothing but four voices and a piano.
3. I Am Thine O Lord/Draw Me Nearer: This arrangement is mellow, but it keeps a steady beat going in the background. Devin McGlamery takes the lead, but I would have advised him to keep the vocal a bit simpler. The gentle accordion and guitar behind him don’t quite mesh with the runs he’s trying to do.
5. Pass Me Not: I can’t fault this arrangement, though from a pacing perspective, it may have been better to break the slowness with an upbeat number here. Once again, the accordion is used to subtle, tasteful effect behind close harmony. Newcomer Dustin Doyle gets a silky-smooth step-out.
6. Praise Him! Praise Him! After dropping some Celtic hints earlier in the project, this arrangement gives Miss Crosby a full bells-and-whistles Irish makeover. Well done, lads! Is it wrong to imagine the boys singing this lustily in a pub with foaming drinks in hand?
7. Redeemed, How I Love to Proclaim Him: This fast-paced, nu-folk arrangement offers a foot-stomping, banjo-plucking good time (complete with “Heys!” in the background). It might remind younger listeners of Imagine Dragons in a rootsy moment. Older folks will just be clapping along and having a good time. Something for everyone!
8. Tell Me the Story of Jesus: This track continues the nu-folk flavor (again, if you follow some newer music, think OneRepublic’s “I Lived”), bringing the project to a close. Lyrically, it’s a nice touch to place this at the end of the album.
Eight tracks is a curious length for an album. I’m sure Signature Sound had their reasons for not including more, but I would have been interested in hearing more of their ideas, perhaps on a couple more vigorous tunes like “Redeemed.” As it is, this project is heavily skewed towards slower songs, which is not a bad thing, it just makes it a less than balanced full-album experience. But it’s more creative than the average hymns album, and it will offer some excellent live moments.
Rating: 3.5 stars
Prime cuts: “He Hideth My Soul,” “Redeemed,” “Praise Him! Praise Him!”