The second of the nine “pure choice graces” is the grace of voice. In the Gaelic culture, as in many other traditional cultures, no clear distinction was drawn between poetry and singing until recent times. Singing was understood primarily as a way to remember the words of a poem and share them with others, so there was less emphasis on having what our culture would define as a “good singing voice.”
Instead, a good voice in Gaelic terms had two primary qualities: clarity and emotional expression. A clear, well-enunciated voice made it easier to hear and understand the words of the poem or song, and the honest expression of heartfelt emotion made those words come alive for the listeners. An imperfect note or two was not seen as being especially important by comparison.
While the grace of voice could just as easily refer to ordinary speech, Brighid’s association with poetry makes it especially appropriate to cultivate this grace through singing aloud in a pleasant tone. The other steps in this practice are the same as for the grace of form, but I’m repeating them here for convenience:
1- Prepare a bowl of the lustral fire using milk, honey and either wine, mead or berry juice. Bless the lustral fire by reciting the “Invocation of the Graces” over it.
2- Sit in front of your bowl of lustral fire. Recite the first verse of the “Invocation of the Graces” while anointing your palms and cheeks with the lustral fire:
I bathe thy palms
In showers of wine,
In the lustral fire,
In the seven elements,
In the juice of the rasps,
In the milk of honey,
And I place the nine pure choice graces
In thy fair fond face,
The grace of form,
The grace of voice,
The grace of fortune,
The grace of goodness,
The grace of wisdom,
The grace of charity,
The grace of choice maidenliness,
The grace of whole-souled loveliness,
The grace of goodly speech.
4- Sitting before the lustral fire, sing aloud with an emphasis on the voice. The goal is to cultivate a calm, peaceful and clear tone with deep emotional connection to the words.