Writers of fiction come in all shapes and sizes. Some are better at short stories and perhaps the odd novella. Some are better at the full length novel. Some are good at both. But not many. Think Edgar Alan Poe or for that matter O’ Henry or Ferrell Sams, or on the other hand, think of P.D. James or Agatha Christie or Ellis Peters. When it comes to mysteries or who dunnits or detective stories it does seem that the writer is either good at one sort of composition or the other. Not however in the case of Ian Rankin. He is a switch hitter. He can do novels, even lengthy ones, and he can do short stories that are real corkers. And now we have in one volume the complete John Rebus short stories— all 591 pages of them (also available in audio-book on CD form). Rankin is first rank these days when it comes to British detective fiction, and it’s a blessing to have all his short stories in one place. My one real complaint is there is not enough Siobhan Clarke, Rebus’ main partner in crime solving other than Brian Holmes, in these stories. Rebus comes across in these stories is an all too solitary character. But what a character he is. His ability to solve real brain teasing crimes— thefts, murders, graft and corruption, rivals that of Sherlock Holmes, and like Holmes his creator is an Edinburgh man. Edinburgh in fact has given us Sir Walter Scott, and Arthur Conan Doyle, and Robert Lewis Stevenson, and J.K. Rowling….. as well as Rankin. The city apparently is fertile ground for the furtive mind with a considerable imagination.
If you want to start reading Rankin (and you should) then start with a few short stories. Try the following five and see what you think: 1) the Dean Curse; 2) the Gentleman’s Club; 3) My Shopping Day; 4) Saint Nicked; 5) A Three Pint Problem… and if your ready to make the transition to his novels which are even better than the short stories, try first Death is Not the End, a 50 page story in this volume which he later developed into a whole novel.
Ian Rankin is a smart enough writer to follow one of the most basic rules of fiction— write what you know, and what Rankin knows is Edinburgh, which is the basic setting for all these stories. Thus it is, that you learn about a city and its history all the while being intrigued by a good mystery. As it turns out Rankin’s Edinburgh with its unique Scottish ethos is every bit as interesting as P.D. James’ thoroughly English London.