Specials: "The Dark Crystal." Proulx-poo. Carell and WHO?

Sunday specials:

CRYSTAL METHOD
Peter Chattaway finally watched The Dark Crystal. And he’s not so sure it’s the “New Age” trip it has been sometimes described to be.

PROULX-POO
E. Anne Proulx’s account of the Oscars would never be described as “a romp.”

“IT’S THREE COLORS: BLUE MEETS THE 40-YEAR-OLD VIRIGIN…”
What great actress would you least expect to see paired with Steve Carell in a romantic comedy? How about my favorite actress, Juliette Binoche?

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About Jeffrey Overstreet

Jeffrey Overstreet has two passions: writing fiction, and celebrating art — music, cinema, photography, literature — through writing and teaching. He is the author of a “memoir of dangerous moviegoing” — Through a Screen Darkly. And his four-novel fantasy series, The Auralia Thread, which begins with Auralia's Colors, was published by Random House. He speaks at universities and conferences around the world about understanding art through eyes of faith. He is earning his MFA in Creative Writing at Seattle Pacific University, where he has worked for 11 years as an editor, writer, and communications project manager. His work has been recognized in The New Yorker, TIME, The Seattle Times, IMAGE, Ravi Zacharias International — and Christianity Today, where he served as a film journalist for more than a decade. He recently began a weekly column called "Listening Closer" for Christ and Pop Culture.

  • Nicholas

    I have lived with racism my entire life, know what it looks like, and have experienced it in almost all its forms. I think Crash is a lousy film, poorly made (some of the worse use of slow-motion and music I have ever seen and heard), confused about what it wants to say, and naive if not completely blind on the topic of race.
    That said, while reading Ms. Proulx’s article I was quite amused to hear her use the phrase “here was an atmosphere of insufferable self-importance”, cuz it sounds like someone hasn’t even chanced the thought that maybe her film lost, not because it covered a risque topic, but because maybe it really wasn’t very good.

  • Peter T Chattaway

    Hmmm, I wonder if Proulx’s reference to Scientology is a dig at Crash director Paul Haggis?


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