Hughes: Don’t miss Munyurangambo, "far and away the best debut I saw all year"

Darren Hughes, a moviegoer whose recommendations have led me to some memorable and profoundly inspiring films over the last few years, has just posted about another one I’m adding to my must-see list.

He writes:

Munyurangabo was one of my favorite films of 2007 and was far and away the best debut I saw all year. I’m really eager to see what [filmmaker Lee Isaac Chung] does next.

His in-depth article about the film, which includes a conversation with the filmmaker, has just been published in Sojourners, and you can read the whole thing here. There, he summarizes the film as “a poetic and beautifully humane snapshot of Rwanda as it exists today, nearly a decade and a half after the genocide.”

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About Jeffrey Overstreet

Jeffrey Overstreet departed the Patheos network in order to escape click-bait advertisements that were offending him and his readers. He will re-launch Looking Closer at lookingcloser.org soon. He is the author of The Auralia Thread, a four-volume fantasy series that begins with Auralia's Colors, and a memoir of "dangerous moviegoing" called Through a Screen Darkly. He teaches creative writing and film studies; speaks internationally about art and faith; served as Writer-in-Residence at Covenant College; and is employed by Seattle Pacific University as a project manager, copyeditor, and writer.

  • looneytombs

    I saw Munyurangambo at the Toronto Film Fest last year and was fascinated by the Q&A session afterwards with Lee Isaac Chung. So much of the film came about from providence, from casting to locations – - everything. It’s a slower moving film than what we are used to in North America, but once you settle in to its pace, you find yourself truly transported to another world.

    As a screenwriter, what I took away from the film is how much one can convey with non-verbal communication. Every screenwriter is taught to, “show it, don’t say it” but most Hollywood films still end up “saying” everything. This film demonstrates exactly the opposite.

    This is a film that moves past the genocide itself, to the Rwanda that is trying to move on to a better future, difficult as it is. Most importantly it is through Rwandan eyes.

    Sadly this film flew right under most critics radar at TIFF. Perhaps set against a horde of celeb projects and big name boutique films it got lost in the glitz. I’m glad it’s popping up on the radar again now, it deserves all the attention it can get.


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