1. Goodbye, Mr. Chips (or, in this case, Mr. Boddie). Look at the love and gratitude on display in this middle school and file that image away in your brain. This is what fundamentalist Christians are condemning when they rail against evil public schools, what Randian narcissists are condemning when they sneer at public schools as “government” schools, what anti-public public servants are destroying when they demonize teachers and teachers unions, and what the homeschooling cult is denying its children by choosing total control over community.
2. Related to that, I finally watched that awful “The Thaw” video, in which homeschooled kids from Idaho are coached to repeat the nightmares they have been taught about public school. They love America. They hate the “public.” Both of those things can’t be true.
3. Rick Perlstein on Glenn Greenwald. I think Greenwald is to civil liberties what PETA is to animal rights. I mean that precisely.
4. Sheila O’Malley has a lovely rave review of Joss Whedon’s Much Ado About Nothing posted at RogerEbert.com. One quibble: O’Malley repeats a Very Old Mistake that has become part of the conventional wisdom about Shakespeare. She refers, unironically, to “the melancholy Jacques in As You Like It.” Jacques says he is “melancholy” and that his melancholy is unrivaled by anyone else’s. If you think this means that Jacques actually is superlatively melancholy, then you don’t know Jacques.
(A warning to KC atheists, though: Bible Belt Baptists tend to be pretty good at volleyball, softball and roller skating. If you want an edge, challenge ’em to a pool tournament.)
6. John Fugelsang quotes Billy Wilder: “If you’re gonna tell people the truth, make it funny or they’ll kill you.” The bit from Fugelsang starting at 5:50 in that video is excellent:
You can’t attack down. If you’re in a comedy club and someone makes fun of homeless people, or developmentally disabled people, and calls them “retards.” The audience might laugh for a minute or two. And then it starts to feel dirty. It doesn’t feel good to attack down. No one admires it. And also, if there’s no element of truth in the point you’re making, it won’t be funny. … There’s a reason why, by the end of the play, the only guy King Lear trusts is the fool.