Yankee Gospel Girl: The title track, penned by Jim Brady, is very smooth. It sounds, not surprisingly, like something the Booth Brothers might do (compare it with “Don’t Hang Your Head And Cry” from Jubilee 2). Brady is great at writing new songs that sound old. Jazzy piano coordinates well with (I think) an accordion.
Nate: This song is a nice way to start the album; it showcases Legacy Five’s harmony and smoothness as a quartet. The song has a soothing quality that eases the listener into the album. The lyrics written by Jim Brady tell the believer how good life is with Jesus as your guide and friend.
2. God Had a Hand In It
YGG: A cute little song about creation with a breezy New Orleans-ish swing (great fiddle). Every member is allowed to shine as they all trade off lines on the verses. Very fun listen.
3. Ask Me Why
YGG: A slow, thoughtful song which is IMO the best original on the project. The music is beautiful and has a slight swing, rather like what Brian Free & Assurance might do. It paints a picture of a woman who slips into a church and accepts Christ after spending her life “somewhere between doubt and believing.” As the second verse describes, she is then able to share the answers she has found with “others who are right where she’s been.” The chorus is an effective set of questions and answers:
Ask me who, and I’ll tell you it’s Jesus.
Ask me how, and I’ll say it’s the blood.
Ask me where, and I’ll take you to Calvary.
Ask me why, and I’ll tell you it’s love.
Of course, some people do require more detailed answers because their questions are more detailed, like “How can we know the Bible is reliable?” But for those who simply come broken and aware of their need for Jesus, these are all the answers they need. Scott Fowler sings the verses, and Gus sings the chorus (love his voice on this). The production is excellent. I love the instant key change at the end.
Nate: Penned by Kenna West (“Faithful To The Cross”) and Jason Cox this is probably the strongest original song on the project lyrically. There is a remarkable story behind Legacy Five recording this song. As some of you may know Scott Fowler has been a significant influence on a young girl who was a Muslim; Scott was able to witness to her, and little Hanna became a Christian due primarily to Scott’s influence. Well about ten months ago Hanna’s mom also got saved due to Scott’s influence; her husband is a Muslim so you can only imagine the difficult circumstances in Hanna and Patty’s life. Well when Scott heard this song he knew he had to record it for Patty because the lyrics just fit her story so well. According to Patty twenty four people that they know of have become Christians due to Hanna and Patty’s story! Keep praying more people continue to be touched by their story.
4. Nobody Ever Loved Me Like God Does
YGG: This is a lively Tim Parton and Dianne Wilkinson collaboration. Tim wrote the music, and Dianne wrote the lyrics. Both words and melody are very cleverly done. The production is great as well—fantastic electric guitar and brass backup.
Nate: This is an upbeat song that will have you singing along in no time. There are several influences at work in the music on this one. I hear a little country (the electric guitar being a huge highlight), and some traditional Southern Gospel (the brass produced by Steve Mauldin is also excellent). The music, combined with some fantastic lyrics written by Dianne Wilkinson, makes for a song that I go back to and play over and over again.
5. There’s Only One Well
YGG: Nate and I independently noticed that this fast-pickin’ barn-burner bears a striking resemblance to Greater Vision’s “The Only Way,” both thematically and musically (compare the chorus melodies in particular). It’s great fun to listen to and features some awesome production. Piano, organ, and electric guitar come together for a classic sound. Scott Fowler is featured on the first two verses, and Gus Gaches takes over when it changes key with some great power singing. I hear traces of tenors like Chris Allman and Ernie Haase in his voice, yet somehow he remains himself.
Nate: As Yankee pointed out, this song bears a striking resemblance to Greater Vision’s newest title song “The Only Way.” It is also quite upbeat, and Legacy Five really shines in the ensemble on the chorus. Gus Gaches takes over with power at the end making for a terrific ending. It should be a excellent live number.
YGG: Fans of the Cathedrals will remember this slow Gaither ballad from Master Builder. The arrangement follows the original closely, with Glen singing George’s first verse. But it’s Gus’s beautiful take on Danny’s part that really makes this cut shine. His smooth, easy voice is a much better fit for this song than Danny’s “hammer tenor.” I consider it superior to the original.
Nate: This is an excellent cover of the Cathedrals song. Gus Gaches truly stands out in a big way; his voice has that rare quality about it that you do not always find in today’s tenors. While he is exceptionally skilful in ensemble work, I believe he is even better solo. His voice is supremely clear and soothing, and he alone makes this song better than the original IMO…
7. God Cares For Me
Nate: This is a charming little ditty that features some lovely harmony, and good power singing at the end. It is like the first two songs on the project a very fun listen. The piano playing on this track is particularly enjoyable as well. Dirk Johnson (studio pianist) is a extremely country music influenced piano player (he has played for several country acts on their studio albums) and his playing complements this song and others on this album extremely well.
8. Living In the Palace
YGG: Of all the up-tempo songs on the project, this is easily the best. Featuring Scott Howard and Scott Fowler (with Gus taking over at the end), it has a slightly progressive feel (again, very BFA). It draws from two biblical illustrations—first the prostitute who washed Jesus’ feet, then Lazarus the beggar—to create a beautiful story-song about how even though these people were poor and outcast on earth, they are now “living in the palace, dining with the King.” The bridge then identifies the singer as someone who was also broken and in need of forgiveness, but will also be able to partake of heavenly joys through Christ. I just love this song and the way it sounds—the piano is gorgeous. I was especially struck by Howie’s performance here. In my opinion, this is one of his best vocals. He sounds lighter than usual. What with one thing and another, this song should definitely be sent to radio.
9. Destination Known
YGG: Pleasant country-flavored fare for Scott Howard’s voice. The title is (of course) a play on the phrase “destination unknown.” As Christians, we’re in no doubt of where we’re going. Would make a good driving song. Nice piano.
10. I’m Still Amazed
YGG: Not to be confused with the Perrys song, this is a fresh barn-burner. Once again, shades of Greater Vision—this time I’m hearing a resemblance to “He Didn’t When He Could Have Passed By.” The vigorous beat goes together with lyrics that manage to be both catchy and insightful. I especially like this two-liner:
He knew well what I was, but he saw who I could be
And from glory to glory, he keeps changing me.
11. For What Earthly Reason
YGG: This was easily the most highly anticipated track on the project. All of us couldn’t wait to hear what Gus would do with this classic, originally a signature piece for Danny Funderburk with the Cathedrals.
It not only does justice to the original. It surpasses it.
True, there’s nothing like that Cathedrals blend, so in that respect the original cut is a little richer. But Gus simply out-sings Danny. I know that’s saying a lot, but you just have to hear Gus’s version to know what I mean. If any more evidence was needed that Gus deserves a place among today’s elite tenors, here it is. I will sue if L5 doesn’t sing this at NQC. Do you hear me Scott Fowler? I. Will. Sue.
12. God Is Still in America
YGG: Some of you will remember that Legacy Five recorded this song last year for election day. I’m glad they decided to put it on an album. It’s a very heartening song for those of us who tend to get depressed when thinking about the state of country. It’s a great reminder of all the people who are still willing to stand for God (“A judge in Alabama… a girl in Columbine…”) and the many Christians who have continued trusting in Him even through disasters like the 9/11 murders and the New Orleans flood. However, I have to admit that the music doesn’t really grab me. It’s good, but it doesn’t quite seem to rise to what the lyric demands. “Under God” is a more memorable song along similar lines. Still, it’s a great lyric with a wonderful message. It will make a strong live moment for sure.
YGG’s radio single picks: “Ask Me Why,” “Nobody Ever Loved Me Like God Does,” “Living In the Palace,” “I’m Still Amazed”
Nate’s radio single picks: “Ask Me Why,” Nobody Ever Loved Me Like God Does” “Living In The Palace” and “I’m Still Amazed”
YGG’s closing thoughts: Although I enjoyed this album, it could have been better. For one thing, I would have liked a few more ballads in the mix. Out of twelve tracks, eight are up-beat, and though all are enjoyable, most of them don’t leave a really lasting impression on me (with a few exceptions like “Living In the Palace”). Also, Gus Gaches was not featured nearly enough. George Younce said, “When you have a good horse, ride him.” Not to take anything away from Frank Seamans or any of the tenors L5 has had, but I would consider him to be their best yet. The few times he is featured just leave me thirsty for more.
YGG’s rating: Four Stars
Nate’s closing thoughts: Legacy Five has released 21 albums (including table projects) in their twelve year career, and I own every one of them. This one certainly ranks in my top three of those 21, it may go down as one of their best… It is not nearly as big in scale production-wise (orchestration, etc.) as the label release preceding it, “Just Stand.” Instead it is almost a complete opposite (though yes there is some terrific orchestration). What I am saying is that it is much more laid back than past albums. Legacy Five has developed a brandable sound with Gus Gaches manning that tenor spot. I believe there is truly something for everyone on this album. Steve Mauldin produced it for them, and I believe he did a fantastic job, he seems to have become L5’s go to producer, and for good reason as he is very adept at what he does. I am looking forward to future L5 releases without a doubt, I would love to see them continue in the direction they are heading… A harmony rich music style, with just enough of that great quartet power singing to keep them one of the best quartets on the road.
Nate’s rating: Five Stars