The Departure of Merlin at The Oddest Inkling

Last updated on: June 20, 2016 at 9:03 am

June 13, 2016 by David Russell Mosley

David Russell Mosley

Sir Edward Burne-Jones, overall design and figures; William Morris, overall design and execution; John Henry Dearle, flowers and decorative details, The Attainment: The Vision of the Holy Grail to Sir Galahad, Sir Bors, and Sir Perceval (also known as The Achievement of the Grail or The Achievement of Sir Galahad, accompanied by Sir Bors, and Sir Perceval), 1895-96, PD-1923

Ordinary Time
13 June 2016
The Edge of Elfland

Hudson, New Hampshire

Dear Readers,

Particularly for those of you who have begun to read these letters since they moved to Patheos, I want to let you know that I have written two essays for The Oddest Inkling on Charles Williams’ Taliession through Logres. Today my essay on “The Departure of Merlin” has gone live so make sure you head over to The Oddest Inkling to check it out. Below is a short excerpt hopefully to whet your appetites.

It seems to me one could almost argue that Taliessin through Logres is about Galahad and his father Lancelot more than it is about anything else. It is not even a grail quest since we never properly see the grail in any one poem (perhaps intentional on Williams’ part so that it leaves us with the Quest, that we must seek out the Grail). As you read through the book, you find Lancelot several times ending an individual poem, as well as being part of the focus of the book overall. Lancelot signals the beginning of Camelot and Arthur’s rule in Logres in “The Calling of Arthur.” He signals its fall in “The Star of Percivale” when he looks to the Host and sees not Christ but Guinevere (though he is not alone at fault since Arthur sees naught but himself). And yet Lancelot performs a meaningful mass, that will be discussed later, at the very end.

Sincerely,
David