For years, Richter observed with growing fascination how in his Gothic sanctuary, Japanese musicologist Keisuke Maruyama studied the influence of the weekday pericopes (prescribed readings) in the early 18th-century Lutheran lectionary cycle on Bach’s cantatas. When he had finished, he told the clergyman: “It is not enough to read Christian texts. I want to be a Christian myself. Please baptize me.”
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Why would even listening to Bach’s Goldberg Variations, which contain no lyrics, arouse someone’s interest in Christianity? This happened when Masashi Yasuda, a former agnostic, heard a CD with Canadian pianist Glenn Gould’s rendering of this complex Clavier-Übung, or keyboard study. Still, Yasuda’s spiritual journey began precisely with these variations. He is now a Jesuit priest teaching systematic theology at Sophia University in Tokyo.
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Rev. Robert Bergt, musical director of Concordia’s Bach at the Sem concert series, has first-hand experience with the missionary lure of Bach’s cantatas in Tokyo. He used to be the chief conductor of Musashino Music Academy’s three orchestras in the Japanese capital. Bach’s compositions brought his musicians, audiences and students into contact with the Word of God, he said. “Some of these people would then in private declare themselves as ‘closet Christians,’” Bergt told Christian History magazine. “I saw this happen at least 15 times. And during one of them I eventually baptized myself.” While only one percent of Japan’s population of 128 million is officially Christian, Bergt estimated that the real figure could be three times as high if one includes secret believers.
How does this tie into our discussion of “witnessing” to people?
HT: Paul McCain & Cyberbrethren