A Guest Post by Daniel Siedell My approach to abstract painting changed forever fifteen years ago during a conversation with an artist friend in front of Kasimir Malevich’s White on White (1918) at the Museum of Modern Art. As I was telling my friend about Malevich’s theories of abstraction and his utopian belief that paintings of squares and rectangles could transform society, my friend interrupted me and, with his nose about as close as one could get to a painting,... Read more