In a recent post, Vance Morgan shared his experience of growing up steeped in the end times speculations of Hal Lindsey and the Evangelical culture that fed into and was fostered by his work. He writes:
Revelation has been called the most controversial book in the Bible, for good reason. The author’s nightmarish prophecies and visions of natural disasters, violence, bloodshed, revenge, and retribution have spawned countless movements, predictions, and crackpots—many of them violent and dangerous in their own right. But what particularly struck me this time around is that the author’s world view is remarkably familiar and contemporary.
The author, for instance, is highly paranoid. He assumes that those who believe as he does are under constant threat and are subject to persecution at any time—even when they aren’t being persecuted. The rhetoric of Revelation is no less compelling to those who imagine themselves to be persecuted than it is to those who actually are persecuted. The author of Revelation is a relentless hater who embraces the simple principle that anyone who is not with him is against him…
More than any analysis or punditry over the past two or three years, returning to Revelation has helped me understand why evangelical Christians voted in mass numbers for Donald Trump in November 2016 and continue to support him in droves. Trump’s rhetoric exhibits many of the apocalyptic features that evangelical Christians are obsessed with in the Book of Revelation—winners vs. losers, aggression turned against those with whom one does not agree, a self-righteous but unearned confidence in one’s beliefs, paranoia laced with suspicion, and metaphors filled with violence and hatred. A certain brand of Christianity not only is comfortable with this rhetoric, but also defines itself in precisely the same terms while adding God into the mix. Revelation provides potent rhetorical weaponry in the types of culture wars that have swept over our country in the past few decades, regardless of whether or not one is a person of faith.
As apocalyptic energies infect our political and religious discourse, we would do well to remember that the moral calculus of Revelation—the demonization of one’s enemies, the sanctification of revenge taking, and the notion that history must end in catastrophe—can be detected in some of the worst atrocities and excesses of every age, including our own. Persons of Christian faith have many resources to push back against this moral calculus, but we need to remember that these resources are to be found in the first few books of the New Testament—not in the last one.
This last claim (and really the overall tenor of the entire post) connected directly with something that came up in my Sunday school class the weekend before reading Vance’s post. To what extent does the Book of Revelation use typical apocalyptic and warfare imagery in a subversive manner? The lion of Judah appears – as a lamb that had been slain. The followers of Jesus are victorious – by being faithful unto death. Jesus fights with a sword that comes out of his mouth that represents the word of God, bringing the penultimate battle between good and evil by Megiddo (Armageddon) to a swift end. Should any of that be understood to involve conquest by Jesus and or Christians in a military sense? At the heart of this is a question that relates to the whole of Jesus’ ethical teaching and Christian views of the future (including but not limited to afterlife): Do the teachings of Jesus about humility and love for enemies merely represent something Christians have to do in order to see their enemies get what’s coming to them, or are they an end in themselves? Is Jesus to be thought of as getting to the status of military conqueror by means of humility, suffering, and death, or is his kingship to be thought of as inherently and thoroughly different from start to finish?
You’ll also want to listen to the future episode of the ReligionProf Podcast featuring Eric Cline, in which we talk about his work excavating Megiddo (from which Armageddon gets its name) as well as apocalyptic imagery more generally.