Sacred Narratives

Title: Adam and Eve encountering the snake in the Garden of Eden foundation of Jewish sacred narrative is the Hebrew scriptures, and its thematic center is the evolving relationship between God and Israel that is presented in a linear fashion with three temporal coordinates: creation, revelation, and redemption. The first point on the time line is creation and the myths associated with the origins of the cosmos that are common to the ancient near east, specifically the creation of the world in seven days as stated in Genesis 1: the first day in which God creates light, separating it from darkness; the sky on day two; land and plants on day three; the celestial lights of the sun, moon, and stars on day four; fish and birds on day five; land animals and humans on day six; and Shabbat rest on day seven.

Creation: GENESIS Revelation: EXODUS Redemption
creation myth
covenant with Noah
God and Israel on Sinai freedom from slavery
received as God's people

Genesis chapters 3-9 present other origin narratives that explain the roots of evil beginning in the story of the first human beings, Adam and Eve. The serpent represents a type of preexisting evil in the universe; it convinces Adam and Eve to eat of the tree of knowledge that leads to increased understanding and shame over their nakedness. Moreover, their divine punishments serve as an etiological myth for snakes slithering on the ground, female pain in childbirth and apparent subordination to the male, as well as manual labor for males.

Title: Abel (left) and Cain (right) offer their respective sacrifices Source: Genesis 3 involves the tension between choice and temptation within the human psyche as a result of the serpent's evil influence, Genesis 4:1-16 transposes the internal conflict into a sociological context involving the murder of a brother resulting from an apparently inexplicable tension between Cain, Abel, and God, based on God's refusal to take Cain's offering. Yet this narrative is not so much about Cain's intention to commit a crime, but rather about how he deals with unjustified suffering when he does not receive a response from God for his offering. Cain thus inherits the internal tension of his parents to resist the existence of evil in the form of the serpent as a result of selfishness, but then acts upon it in a way that causes someone else's death, turning desire and curiosity into interpersonal aggression, rage, and revenge. Again the knowledge of good and evil leads to death and banishment east of Eden. title: A rainbow covers Noah's ark, symbol of God's covenantThis theme of evil culminates in the story of the flood, which has a direct parallel in the Mesopotamian flood narratives, Gilgamesh and Atrahasis. Like Genesis, these ancient flood narratives provide a culmination for the literary schema of creation, development, and degeneration of humanity. In all three narratives, there is a decision to destroy humanity with a flood that is considered divine retribution for general human injustice, described in Genesis 6:5. In each narrative, a god warns a human being and instructs him to build an ark allowing for the survival of a small group of humans and animals. The floodwaters cause all life outside the ark to be destroyed, representing an explicit reversal of the creation.

In the case of Genesis, Noah is like the new Adam who will be the next progenitor of humanity after the flood. The sign of the covenant made between God and Noah after the flood is a rainbow, a symbol of the divine promise of redemption offering the comfort and consolation associated with Noah in Genesis 5:29. Finally, the ark rests on a mountaintop and birds are sent out to discover if water has receded, followed by a sacrifice after the ark is emptied. Whereas there is no guarantee that gods won't destroy the world again in the Mesopotamian flood narratives, in Genesis God displays a rainbow in heaven marking the end of the flood; God explicitly reverses an earlier curse to Adam in Genesis 3:17, promising never to curse the earth again.

Back to Beliefs