In Your Eyes I See the Doorways to a Thousand Churches

One of the moments that stood out to me at that Calvin College “Faith & Writing” conference last year was James K.A. Smith’s line that “the discipline and regimen of historic Christian worship… [plies] and stretch[es] your imagination.” I’ve been thinking about the ways gay Christians are damaged by the “liturgies” of our surrounding culture–and by the absence of images, practices, forms of prayer which could teach us to see better. There’s a pretty obvious commercial anti-liturgy in which bodies… Read more

What If We Remade “I Confess”… But Sleazy?: And more movie notes

Wow, guys, this is a lot. Strap in. A Cottage on Dartmoor: British silent revenge flick; very grabby with the intercutting and the emotional intensity; ends with quite poignant scene of forgiveness. Forgiveness, rather than reunion, as the climax of a love story. Laura: Noir (although the noir style mostly doesn’t kick in until late) and mostly standard, although I liked how pleasant and undefensive the career-woman scenes were. There’s a specific kind of relationship here, the man who mentors… Read more

A Coptic Priest’s Message to Those Who Kill Christians: “Thank You!”

incredibly powerful: The first thing we will say is “Thank you very, very much,” and you won’t believe us when we say it. You know why we thank you? I’ll tell you. You won’t get it, but please believe us. You gave us to die the same death as Christ–and this is the biggest honor we could have. Christ was crucified–and this is our faith. He died and was slaughtered–and this is our faith. You gave us, and you gave… Read more

“The Long Years After Failure”: I review “After the Storm”

at AmCon: After the Storm, the latest film from writer-director Hirokazu Koreeda (Maborosi, Nobody Knows), opens with a discussion of the 1972 Winter Olympics in Sapporo, where U.S. figure skater Janet Lynn fell during her free skate, came up smiling, and won the hearts of the Japanese audience. Forty-five years later the reaction of elderly Yoshiko (Kirin Kiki), the mother of Storm’s central character, is very different. “She fell on her butt and got a perfect score,” Kiki grouses. “It… Read more

Moving Pictures from an Institution: Movie notes

Four films linked by a really depressing theme! Scum: Our institution: a 1970s Borstal (juvenile prison). Does exactly what it says on the tin, not quite two hours of violence and contempt. The use of rules as abuse, creating impossible demands (guard throws a prisoner back into his cell, spilling the guy’s mug of soup, then snaps: “Dirty cell, you’re on report”); use of prisoners’ self-created hierarchies to divide and conquer. The scenes where suicidal prisoners are mocked and beaten… Read more

Thirty-Eight Films (Favorite Movies from Each Year of My Life)

I’ve found these exercises so fascinating. Other people’s lists have made me reconsider movies I’d decided not to investigate (should I watch Motel Hell???) and notice my own tastes: When you force me to choose, I often pick horror, comedy-horror, and children’s movies, and I very frequently rank stories about girls and women higher than my guy film fan friends. Neither of which are claims of aesthetic superiority. But hey, if I throw my list out there, maybe those patterns… Read more

Mourning and Weeping in this Valley of Brunch

Last week I did a speaking engagement in New York, on the topic, “Christianity Is the Most Materialistic of Religions.” I did not choose this topic (BOOK ME, I WILL ROLL WITH WHATEVER WEIRD-ASS THING) and one theme that emerged from my unusually rambling performance was that Christianity cherishes and celebrates the body, but not in the way you might like. You can watch the videos here (in three parts, so check the order)–seriously, I always ramble and get tangled… Read more

From Girlhood to Sublimity: Watching “The Fits” Again

It is the last dream of children: to be forever untouched. –Audre Lorde, Zami: A New Spelling of My Name The AFI Silver theater in Silver Spring is doing this terrific series where they feature movies from the past year that you might have missed. I believe The Witch is later this week and yes, go see The Vvitch, it’s vvonderful. (It’s vvreally sad!) But what I saw in this series was The Fits, Anna Rose Holmer’s extraordinary feature debut…. Read more

Work Is a Four-Letter Word: Short movie notes

Let’s do this one from worst to best, yes? Or no, “best” isn’t what I want, let’s do “worst to the one I moat want to talk about.” Evil Laugh: ’80s slasher, aka the one ’80s horror subgenre I can almost never stand. This was an unusually stupid entry. There are organ meat gags (why did this random posh med student do-gooder have a thing for cooking organ meats?) and the music is indeed pleasantly neon-flavored, but that is about… Read more

Hey New York! Come See Me Yap About Catholicism & Art & the Body, This Thursday!

It’ll be a neat little “interview” on the topic, “Christianity Is the Most Materialistic of All Religions.” Hosted by the Crossroads Cultural Center, from 7 – 8 pm. Bring friends! For more info, and also the best photo of me taken since high school, click here. Read more

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