By Brad Fruhauff
It’s one of my favorite images of Diana of Themyscira, a.k.a. Wonder Woman: her proud, bold body fills the page as she soars across a pink sunset, arms spread wide like a diver, her legs not straight but slightly askew as if skipping on the air.
As someone who never had much use for comics, I’m still a little surprised that I even have a favorite image of Wonder Woman, or that I prefer to call her Diana. Now she intrigues me for many reasons, but it was this image that helped me to “get” her and, indeed, to fall in love with her character.
I’ve read probably a hundred comic book titles in the six years since I really started to get into them—and I mean full-on novels running several hundred pages as well as the volumes that collect five to eight issues of a series—but I still tend to think of them as lighter fare, the medium I looked to for mental stimulation those early nights of parenthood when my newborn needed rocking, the medium I still prefer when my children, now six and three, are playing by themselves but I’m not confident I’ll be able to focus for long.
Yet for all their blatant dialogue and over-the-top action, I find that the good comics really do reach beyond entertainment status to become serious, thoughtful stories about morality, justice, and even the violence so central to many of them. And like any good story, the best comics develop these themes through the tools of their medium and not merely through a few key lines of dialogue. That’s what this image from George Pérez’s 1980s reboot of Wonder Woman does for me. [Read more...]