At one point in the history of writing this blog, I thought I’d do a series on my favorite essayists. I think the series got off the ground with my favorite essayist and then fizzled: Joseph Epstein. I suppose it is a mistake to begin with the best. For years I devoured The American Scholar journal because Epstein was its editor and a regular contributor. Then he moved aside and Anne Fadiman assumed his fountain pen elegance. Then they sacked Anne and I dropped my subscription. There was something unique about The American Scholar — the familiar essay.
“His viewpoint was subjective,” Anne says of the prototypes in Charles Lamb and William Hazlitt, “his frame of reference concrete, his style digressive, his eccentricities conspicuous, and his laughter usually at his own expense.” She uses the male pronoun for a reason: Her father, Clifton Fadiman, once said women didn’t write familiar essays because “the form does not attract them.” Anne has a response: “Well, it attracts me.” And her book attracts me: a lovely font, a book small enough to fit perfectly in my hand, clothbound so it lasts, and content that makes me want to sit on my porch and enjoy the pleasure of someone who knows how to make words play their proper game.
And not for me. With her I hope “no dirge, gentle or otherwise,” quoting her father again, “need ever be sung to lament its passing.”
If you find the pace of the familiar essay to slow for you, you are too busy. Friendship, which creates the space for the familiar essay, isn’t in a hurry and neither is Anne. So, sit down with At Large and At Small and Enjoy! She’ll be a friend in no time.
The best Christian familiar essayist is Alan Jacobs. John Wilson, the marvelous editor at Books and Culture, has wisely opened his door to the essays of Jacobs.