A (Temporary) Farewell to Film Review Work

On this day full of Oscar noise, I’m beginning a sabbatical from film reviewing, except for what I post here.

I’m stepping down from my work at Image‘s Good Letters blog, from my (brand new) job at Reel Spirituality, and from all other review-related assignments outside of my day job at SPU. I do so out of necessity, and feel nothing but gratitude toward those who have encouraged me there.

This will be the first time I’ve lived without film-review deadlines since, well… about 1997. Wow.

Why? Well, if you’re interested, this is necessary for several reasons…

1.) I have a novel to finish.

And as much as I enjoy participating in the film-criticism community, review assignments are constantly interrupting my work as a storyteller.

I’ve known since I was six that I was born to write stories, and it’s time to make that Job #1.

2.) Neither film criticism or fiction writing provide an income.

Oh, it does for a few, but they make it their full-time work, traveling the globe, writing about movies and celebrities in ways that I would find soul-killing.

So far, the costs of my writing life equal the rewards. I live in a time and place where substantial criticism, interpretation, and teaching about film are valued by very few. People say they appreciate it, but few will consider paying for it. I’m grateful that I’ve found paying work and good support from Christianity Today, Image, Paste, Fuller’s Reel Spirituality, and other places over the years. But now I need time to pursue the next chapter of my work life toward something that will help me make ends meet.

Writing, I find, is a joy and an adventure. But it’s not much of a job. In fact, you need another job in able to afford to do it.

3) I believe I’m being called to something new, something related to teaching.

The last several years of speaking and teaching at conferences and workshops have shown me that I have a passion for teaching. And this comes as no surprise. It was, after all, my original plan. It came as a complete surprise to me when the writing that I did for fun led to invitations, opportunities, and “careers” in both criticism and fiction-writing. That “surprise” has lasted more than a decade.

I have hoped for several years now that teaching opportunities might grow naturally from writing. I love to teach creative writing, and I love to teach students the rewards of “looking closely” at movies, literature, music, and other forms of art. And many have told me, over the years, that my achievements in publishing would inevitably lead to a teaching job.

But that hasn’t happened. Others have given a contrary opinion: No matter how much I publish, nobody will give me serious consideration as a teacher until I have another degree, and so far they’re right.

So I suspect that I have years of work ahead of me before teaching becomes a likely possibility. And that’s okay. I look forward to learning more and becoming a better writer along the way.

4.) It gives me an excuse to avoid talking about the Oscars and the “fast food” that so many American moviegoers take seriously.

Yeah, sure, I’ve posted my 2012 movie list. But I would never claim those are the “best” movies. They’re just the 2012 movies that moved, inspired, and challenged me the most.

In my experience, nothing disrupts meaningful conversation about art like a competition that is

  • driven by money and celebrity,
  • voted on by people who see only a small fraction of the impressive art produced around the world in a given year,
  • based on “likes” and “dislikes” rather than an informed critical assessment about art, history, excellence, beauty, and truth.

Showbiz talk and awards shows are as eloquent in helping us understand art as Miss America pageants are at helping us understand true beauty and virtue. All of you who love Moonrise Kingdom and The Master and The Loneliest Planet and Holy Motors like I do… keep in mind that Oscar nominations don’t change anything at all regarding the excellent artistry of those films. Don’t let the hype and the meaningless babble interfere with your own personal experience of a film. Just remember all of the great films that didn’t win (Ever heard of Citizen Kane? Raiders of the Lost Ark? The New World wasn’t even nominated.)… but that remain bright in our memories today. Remember all of the winners that proved forgettable. I’m going to enjoy distancing myself from the circus.

So, those are a few of the reasons behind this decision.

In the meantime, I will continue to work full-time in marketing at Seattle Pacific University, and as a contributing editor for Response, supporting an institution that I love, and enjoying an inspiring community of thinkers. I’m grateful for those at SPU who have on occasion been supportive of my work as a writer… especially those in the English Department and the team that produces Image.

It’s hard to face a sabbatical from this work that I love so much.

But for what it’s worth, I will continue blogging here, at Looking Closer, about movies and other subjects as time allows. It’s volunteer work, pretty much, but it is tremendously rewarding in the relationships and conversations it inspires.

I’ve enjoyed my time on the road less traveled, but I have promises to keep, responsibilities to fulfill.

If any of you have ideas or suggestions about the road ahead for me, send me an email at joverstreet@gmail.com.

But Anne and I would be even more grateful for your prayers as we seek to do whatever would please our Maker most. I feel like the Little Drummer Boy, sometimes: We bring only a few small gifts, but we want to “play our best” for him. Ask God to bring us guidance, opportunities, wisdom, and patience.

Pa-rum-pa-pum-pum…

  • Facebook
About Jeffrey Overstreet

Jeffrey Overstreet is the author of a “memoir of dangerous moviegoing” called Through a Screen Darkly, and a four-volume series of fantasy novels called The Auralia Thread, which includes Auralia’s Colors, Cyndere’s Midnight, Raven’s Ladder, and The Ale Boy’s Feast. Jeffrey is a contributing editor for Seattle Pacific University’s Response magazine, and he writes about art, faith, and culture for Image, Filmwell, and his own website, LookingCloser.org. His work has also appeared in Paste, Relevant, Books and Culture, and Christianity Today (where he was a film columnist and critic for almost a decade). He lives in Shoreline, Washington. Visit him on Facebook at facebook.com/jeffreyoverstreethq.

  • Attica

    I’ll also miss your insighful movie reviews Jeff. But I loved your novels and look forward to reading more. You do have a gift there, and your passion will make for a great teacher.

  • http://catholiccinephile.wordpress.com/ Evan

    I’ll definitely keep you in my prayers. Best of luck finishing your novel and exploring teaching opportunities. With both you and Steven Greydanus cutting back on film reviews, hopefully I will be able to put more effort into my own attempts at film criticism, which so far have been quite scarce.

  • http://diana Diana Trautwein

    Well, wouldn’t you know it. Just as I actually find my way to your reviews, you’re moving on. But it makes sense – and I DO hope some teaching opps open up because you’re very, very good at it. Glad you’ll be stopping by this place from time to time and I look forward to seeing where this time away takes you.

  • http://www.TheKindlings.com Dick Staub

    Being in the midst of such refocusing myself, I know how hard it is to do. Good for you Jeff. God’s blessings on you.

  • Susan Mullen

    Jeff, best wishes! You have my admiration and respect for your clear sight and your perseverance.

  • Peggy Harris

    I’m so excited for you. And so grateful, because you’ve exposed a part of yourself that many of us creative types hide from the world — the nitty-gritty reasons behind our necessary decisions to reorient ourselves and strike out in a different direction. (“Huh?” says the crowd. “I thought you were supposed to be doing xxxx by now. What happened?”) Even more, you confessed to not achieving a goal (teaching) and told us some of the reasons it didn’t happen. From all of us who wake up one morning and realize we aren’t where we thought we’d by by this time, thank you for letting us know we’re in AWESOME company.

  • http://www.cristyzinn.com Cristy

    As much as I appreciate your movie reviews I am very excited for you… I think a lot of people abandon their first love (that ‘thing’ they were made for) for so many reasons – it takes courage and vision to put down all the things you’ve been carrying, however enjoyable, and get back to what you love. I’m sure that having Ann at your side, supporting your dreams, will make all the difference. Looking forward to seeing another Overstreet novel on my shelves!

  • http://www.lukeshea.com Luke Shea

    While I’m selfishly sad to be missing out on your fantastic film writing, I am very excited to see where things go for you. I firmly believe we are made in the image of our creator to be just that: Creators. I’m sure your pursuit of storytelling will lead to great things for you, and eventually for me, when I get to read them. And of course, I look forward to whatever you are able to continue posting here.

    As for teaching, I’d take a film or literature class from you in a heartbeat. I can only hope future generations will be so fortunate. Bon voyage!

  • http://www.andyrowell.net/ Andy Rowell

    Blessings to you, Jeffery. All well said and well thought.

  • Andrew Welch

    Your regular reviews will be missed, Jeff. I found your work years ago at a time when I desperately needed to know that faith and art could go together. I wouldn’t be doing what I’m doing now if it weren’t for you. No one has taught me more about appreciating beauty, or about reflecting on a work of art. Best of luck with your novel and with whatever comes your way next.

  • Russell Subiono

    I read your reviews and thoughts on movies frequently and wanted to thank you for all that you’ve written in the past. We have a few things in common – our faith, our affection for film, our desire for meaningful conversation about art – and it was good for me, an actor and amateur filmmaker still trying to balance faith and storytelling, to be able to read someone who often articulated what I liked about movies and what saddened me about the movie-going experience. I may have not always agreed with your thoughts or conclusions, but I always appreciated your perspective and insight. Your reviews were always my first destination whenever I was on a fence as to whether to spend my hard-earned $11 on a film. Perhaps one day I might work up the courage to pick up the torch. Thank you again.

    • Jeffrey Overstreet

      Thanks, Russell. I appreciate that very much. As I said, I’ll still post thoughts about films here at this blog. But I would encourage you to “work up the courage to pick up the torch” anyway.

  • http://kareneeart.com Karenee

    I’m looking forward to the result of this sabbatical. I’ve no doubt the results will be new growth and opportunities that would not have come your way along the old path.

    • Jeffrey Overstreet

      Thanks, Karen. I hope you’re right.

  • The Pachyderminator

    Jeffrey, I’m excited to see what your new novel will be like, but I’m sorry that there will shortly be fewer Overstreet reviews to read. For this aspiring film lover, you’re an inspiring and challenging figure. I wish you all the best in your new path.

    • Jeffrey Overstreet

      Thanks, uh… Pachy? Is that your preferred nickname?

      • The Pachyderminator

        Yes, “Pachy” is fine. It’s better than “Pachydermatologist,” which I’ve also been called.

  • Nick Olson

    I wish you my best, Jeff, and I commit my prayers to God on your behalf. I look forward to the novel you’re cooking up, and I thank you for all of the film review work you’ve done to this point, as it has inspired young people like myself to commit to the task.

    Cheers, my friend.

    • Jeffrey Overstreet

      Prayers are the best kind of encouragement at this point. Thanks, Nick.


CLOSE | X

HIDE | X