How “Downton Abbey” Should End

I don’t care to know how Downton Abbey really ends, because I can’t think of a better ending than this one…

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Dame Maggie Smith wakes up with a cry.

Kelly Macdonald is there, having just brought a tray of breakfast.

Emily Watson is there too, with Dame Maggie’s newspaper.

“Oh my,” says Maggie, flustered. “I’ve just had the longest and most melodramatic dream!”

This post is dedicated to the memory of Robert Altman, master of Gosford Park. 

Atlman should have won Best Director for that film. But instead of giving it to him, or to David Lynch for Mulholland Drive, or to Todd Field for In the Bedroom, or to Peter Jackson for The Lord of the Rings: The Fellowship of the Ring, or to Jean-Pierre Jeunet for Amelie, or to Ridley Scott for Black Hawk Down, the Academy gave it to Ron Howard for A Beautiful Mind instead.

But that’s the Oscars for you. And next week, the Academy will prove once again that, by their scales, “Pretty Good” is better than “Awesome.”

(Oh, and for the record, even though I gave up on Downtown Abbey when Season Two declined into too many soap-opera formulas, I’d still appreciated if nobody posted spoilers here. Thanks. The fans seem to have strong feelings about spoilers.)

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About Jeffrey Overstreet

Jeffrey Overstreet has two passions: writing fiction, and celebrating art — music, cinema, photography, literature — through writing and teaching. He is the author of a “memoir of dangerous moviegoing” — Through a Screen Darkly. And his four-novel fantasy series, The Auralia Thread, which begins with Auralia's Colors, was published by Random House. He speaks at universities and conferences around the world about understanding art through eyes of faith. He is earning his MFA in Creative Writing at Seattle Pacific University, where he has worked for 11 years as an editor, writer, and communications project manager. His work has been recognized in The New Yorker, TIME, The Seattle Times, IMAGE, Ravi Zacharias International — and Christianity Today, where he served as a film journalist for more than a decade. He recently began a weekly column called "Listening Closer" for Christ and Pop Culture.


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