Seems to be the thing to do now: Turn animated classics into live-action versions that nobody wants.
Along the same lines, remember Dreamworks’ animated epic The Prince of Egypt? Well… doesn’t this look an awful lot a live-action version of that?
Yes, Ridley Scott — director of Alien, Blade Runner, Gladiator, Kingdom of Heaven, and Prometheus — is bringing back Moses (Maximoses?) in Exodus: Gods and Kings.
Judging from the reports posted by Peter Chattaway, Scott must be in an Old Testament mood: He’s also signed on to produce a movie about King David. Interesting, to see a professing atheist becoming so interested in producing major Biblical epics.
Ah, but will they be “Biblically accurate”? Chattaway has some things to say about that…
…and I’m glad he does. This is art, not documentary.
The Old Testament was not written to be a photo-realistic historical documentation of events. It’s a book of stories crafted from, and inspired by, historical details to convey insights about how God has worked, and is still working, in history, leading us “further up, further in” to an understanding of his nature, his grace, and his love. And it was not included in the Biblical canon to equip Christians to deny the discoveries of science, or to give us examples that justify military action in God’s name It was included in the Biblical canon to show us what led up to Jesus’ arrival — the turning point of human history — and what made him so incredibly necessary, what he did that made”all things new.”
That doesn’t mean we shouldn’t adapt these stories. But it does mean we should attune ourselves to how stories mean, so that our storytelling reflects light in the way that the stories of the Bible do.
So let’s not bicker about “Biblical accuracy.” It’s more important to focus on how these adaptations of the stories interpret, reflect, or distort what these stories mean. Does the story reflect Truth (Capital “T”)? That’s far more important to me than whether or not it reflects truth (Lowercase “t’)… the practical details of an account.
I’m not getting my hopes up about Ridley Scott’s Exodus. Last year’s The Counselor was the first Ridley Scott movie I’ve really liked since, oh, Matchstick Men in 2003… and I haven’t really liked one of his ambitious epics since Blade Runner in 1981. He’s a great visual stylist, but he is too enamored of CGI, and he often works with mediocre screenplays. We’ll see.