Michael McGlynn, Anúna, and the Magic of Mouth Music

My youth is full of musical memories, ranging from Sunday afternoon brushes with my father’s classical record collection to my uncle’s frequent performances of Simon and Garfunkel classics in our family library. But to this day, one of the strongest (and most beloved) remains our weekly tidying of the house to the upbeat stylins’ of “The Best of the Bothy Band.”

For someone blessed with a boundless supply of youthful energy, the most frequently played track was (unsurprisingly) the jig-and-reel set, “Leitrim Fancy/Round The World For The Sport/Rip The Calico/Martin Wynne’s/The Enchanted Lady/The Holy Land.” But the most fascinating cut was always “Fionnghuala” — a weird and wonderful example of “Puirt à beul (mouth music).” To this day, it remains one of the most peculiar (and magical) sounds I’ve heard, cropping up from time to time on my playlists and bringing me to a halt whenever it appears. Background music it most definitely is not; it craves (even demands) attention.

A few months ago, a quick YouTubin’ session that began with Julie Fowlis’ wonderful performance of  “Touch the Sky” on the “Brave” soundtrack led me to this:

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Yep. I still love it. And I defy anyone to listen to those hypnotic rhythms without at least a bit of toe-tapping.

This particular performance comes from the Irish vocal group Anúna, and features their founder (and frequent composer), Michael McGlynn. A LSU thesis on his works – Man, I love the Internet —  says that “rhythm is an important component” of his work, and that ” development occurs primarily through repetition.” No wonder he’s drawn to “Fionnghuala.”

It was Chanticleer’s performance of his “Agnus Dei”, though — brought to my attention by a pair of tweets from Steven Greydanus — that served as the catalyst for today’s musical recollections. And I am glad for the reminder. (McGlynn’s website also discusses the imminent release of the world-premiere recording of his “Celtic Mass.” Color me intrigued.)

Just don’t get me started on Mongolian Throat Singing.

About Joseph Susanka

Joseph has been doing development work for institutions of Catholic higher education since graduating from Thomas Aquinas College in 1999. A grateful resident of Wyoming, he spends his free time exploring the beautiful Wind River Mountains, keeping track of his (currently) seven sons, and thanking his lucky stars for Netflix.

  • https://foothills.wjduquette.com/blog Will Duquette

    Very nice indeed, and one I’d not heard before.

    I’ve heard of the Bothy Band, but never heard them; but we’ve got lots of the Chieftains and lots of early Clannad we well. Anuna will probably have to go on the list.

    • http://www.patheos.com/blogs/summathissummathat/ Joseph Susanka

      Anuna feels more like Clannad to me than The Chieftains, Will. A bit more ethereal (and a bit more modern). I’m like you, though — equal-opportunity Irish listening.

      • https://foothills.wjduquette.com/blog Will Duquette

        Are you familiar with Steeleye Span? It’s what you might call Anglo-Scottish Folk Rock, drawing on the really old folk tunes and lyrics. It’s really very nice.

        • http://www.patheos.com/blogs/summathissummathat/ Joseph Susanka

          Interestingly, Will, I ran across my (first, I think) Steeleye Span clip a few weeks ago while hunting the Tubes for versions of the traditional Christmas “Gaudete,” and found this. Which let me to “All Around My Hat,” which I very much enjoy. (The tight/close vocals in the opening segment, in particular, are very fun.)

          Of late, I’ve found myself exploring the Canadian-Irish musical traditions, with particular focus on the Newfoundlandian Great Big Sea and Stan Rogers. (Lots of that close vocalizing, again.)

  • http://knock-knocking.com Agnes

    This really did take me back. Wow, so very epic in it’s uniqueness.