Gotham‘s 10th episode, “Lovecraft” marked it’s halfway point of the inaugural season and demonstrates how far the show has come in 10 weeks.
This episode was a solid “chase” theme with Bruce and Selina having to outrun some would-be assassin’s with Alfred, Gordon and even Bullock on the trail to save them. We also got to the the mob war continue and drove us closer to poor Liza seeing her world cave in.
Let’s get to the Good and Bad of this week as we also take a longer look back over the entirety of the season as well
Has the show really explained why Bruce talks the way he does? Sometimes he speaks more like a young Sheldon Cooper than he does a young Batman. Was he like this before his parents were murdered? Bullock and Gordon’s dialogue suffers from some of the same awkwardness that Bruce’s does and there are times when this really comes off as a blight during otherwise enjoyable episodes.
Normally, I enjoy just about any scene involving Oswald, but this week I think his scenes stood out as the most extraneous. I understand why they wanted to include them, but I think they weren’t necessary. The audience came into the episode knowing Oswald is in a precarious position and has to play out his plan of using his knowledge of Liza’s allegiance, and they came away from the episode with the same thing.
I know it serves to move the plot, but the reasoning of Gordon being sent to Arkham was pretty spotty, even within the internal logic of Gotham’s world. This does open up an entire realm of possibilities. and if you’ve read about the rest of the season can probably guess how a certain character will be introduced through Gordon’s time at Arkham, but still…I would’ve preferred it maybe if the motivation was Gordon going to Arkham undercover or something to that effect.
Harvey Dent’s only be in in two episodes now, and we already see him as kind of snotty, and not very good at his job. The entire tragedy of Harvey turning into Two-Face has always been that Harvey was a great servant of justice as DA and that he was generally a great person. My hope is that Gotham does not turn him away from that in favor of making him part of the larger problem the city itself has with corruption.
Bruce, Alfred and Selina. The show has danced around really focusing on the Bruce/Alfred dynamic for extended sections of time and has used Selina more sparingly than some of the other characters. “LoveCraft” and last week’s episode were nice touches as we got something of a break from the Mob-related arcs and got a chance to see Bruce and Selina getting to know one another and Alfred’s growing relationship with Bruce. The latter is an obvious element for Gotham to focus on, which they have done well, but the interaction between the future Bat and Cat has really made the last two episodes shine. It creates so much more depth because we know where these two end up in the future, and it makes these scenes feel that much more important.
“She’s scary.” While the acting performance between the two was a bit odd, the dynamic between Selina and Ivy was really interesting and establishing Ivy as odd and frightening early on separates her from Bruce and Selina and hopefully positions the character for some interesting things as the series progresses.
That brings us to look at the series as a whole as we enter its midway point. I have seen so many different viewpoints of the show that I’ve come to realize the people who want to give it a chance and like it will do so more often than not and the people who look first with a cynical eye will probably never really like it. I think Fox could have gone some other directions and probably found an audience that was more fully into the show (the Kevin Smith/Paul Dini idea is hard to get out of my head) but what they’ve chosen is still really solid and has plenty of potential. Here are a few notes I’ve come to be fairly sure of regarding the show so far and its future:
- When Gotham focuses episodes tightly on one character or one main plot, rather than all the characters they have and all the different plots, the show thrives and finds a much more solid footing. When the show spreads itself thin, it feels like a mess.
- I’m not always a fan of them but I think more flashbacks would really help audiences better understand the motivations of characters, rather than the characters simply saying, “These are my motivations!” If there was a show that could use the “Lost” style, it’s this one! There are so many more people with a much smaller comic-book knowledge than there are hardcore fans. The show doesn’t need to dismiss the comic history and mythos, but rather pull casual fans into it, and I think these might be a good way to do so.
- Bruce can’t become Batman yet (duh) but the more we see him learning lessons that eventually help make him who he is, the better. in “Lovecraft, Selina gives him advice on balancing, and Bruce also gets a chance to see a different side of Gotham up close and personally. These little touches aren’t fast-tracking Bruce to become the Bat, but they are fun ways of reminding the audience that he will get there.
I’ve been optimistic about this show since the beginning, which I admit to be my own bias, but at the mid-season mark that hasn’t really changed. This is an entertaining and dare I say “pretty good” show even with its faults. My grade so far, a solid B, which let’s be honest is a pretty fitting letter for Gotham after all.
What about you? How would you grade the show at the half-way point?