2015-03-13T22:57:35-04:00

One of my very favorite series of texts dealing with original sources that illuminate the NT is the series now published by Eerdmans entitled New Documents Illustrating Early Christianity. It is a series originating out of the ancient history department at Macquarrie University in Sydney Aus. and is loaded with all sorts of inscriptions, many of them unpublished before now that helps us understand the linguistic and social context of the NT. Below is a helpful review of Vol. 10 of this series which came out in 2012 (and they are all very valuable). The review is by my friend Larry Hurtado originally found on his blog. He is offering a helpful representative sample. BW3

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by larryhurtado

Over on the blog-site for our Centre for the Study of Christian Origins, I’ve just posted about the latest volume in the New Documents Illustrating Early Christianity series (vol. 10, Eerdmans, 2012), underscoring the value of the series for scholars in NT/Christian origins for grasping more of the historical context of earliest Christianity: here. Illustrative of the fund of valuable discussion, I’ll mention here just one of the entries in this latest volume.

Item #3 in the volume (pp. 10-15) discusses an inscription on a cameo gem dated ca. 25-50 CE in which powerful names are invoked for protective purposes (Iao, Adonai, Abrasax). The discussion ranges wider, however, the author of the piece (J. R. Harrison) drawing in a helpful set of other primary data and a rich bibliography of other scholarly studies to focus on apotropaic/magical practices such as reflected in this cameo inscription.

These include the use of powerful names, and the notion that by naming spirit/divine beings one could compel them to do the seeker’s will. Harrison comments cogently on the relevance of this for various NT passages/scenes in which, e.g., demonic beings seek to coerce Jesus (Mark 1:24; 3:11; 5:7), magicians seek to employ Jesus’ name similarly (Acts 19:13), and the sense of the Greek word “ἐπικαλέω” (“call upon”) as a typical term connoting the invocation of a deity or powerful spirit.

As Harrison notes, it is also interesting that the Gospels portray Jesus as not using these techniques in his own exorcisms and healings. Instead, he is pictured as simply commanding the demons or ordering the healing. This must mean that the Gospel writers sought to differentiate Jesus’ actions from the widely-known exorcistic/magical practices of the time. And, of course, it is therefore historically plausible that this reflects Jesus’ own actual practice, exercising a distinctive sense of personal empowerment that differentiated him sharply in the ancient historical context.

There are 29 entries in volume 10 of the New Documents series, each of which amply repays reading it. Anyone doing serious study of the NT texts cannot ignore this valuable series.

2015-03-13T22:57:40-04:00

(THE FOLLOWING IS A POST BY MY FRIEND AND FELLOW N.T. SCHOLAR LARRY HURTADO,WITH WHICH I WHOLEHEARTEDLY CONCUR. THIS THEORY HAS BEEN REFUTED SO MANY TIMES IT DOES NOT DESERVE TO SHOW UP ON PRIME TIME TV (FOX ARE YOU LISTENING? THE APPEARANCE BY THE AUTHOR ON FOX APPARENTLY CATAPULTED THIS BOOK INTO THE TOP 5 ON AMAZON. SHAME ON YOU.).

by larryhurtado

One of the things variously amusing and annoying is the re-appearance of ideas and claims in my own area of expertise as if something new, something suppressed (e.g., by us scholars supposedly) and reeeeally racy and sensationally important that are in fact simply re-hashings (or re-packagings) of previous claims that were quite adequately and convincingly discredited years (or even decades) ago. I call these “zombie claims”: No matter how often you kill ’em off with the facts, they come back again, typically after sufficient years have passed that the news media will have forgotten the previous appearance(s) (and the memory of today’s news media is impressively short).

Indeed, in today’s world of internet and e-communication, such zombie claims get a new life rather quickly, and get buzzed around the world almost overnight. The latest zombie claim to come to my attention (at least in my field) is pushed in Zealot: The Life and Times of Jesus of Nazareth, by Reza Aslan.

Aslan (a PhD in Sociology of Religion, and with his own marketing firm, and with a university connection in creative writing, but no training or demonstrated expertise in ancient Judaism, early Christianity, Roman history, or any of the subjects relevant to the book in question) pushes in sensationalist prose the supposedly shocking idea that Jesus was actually a political revolutionary who advocated an armed struggle against Roman occupation of his homeland. Apparently, since a recent Fox TV News interview, sales of the book have gone through the roof (and with that Aslan has got at least one of his main objectives, perhaps his principal one, there being no such thing as bad publicity when you want to market books, movies, etc.).

I’m not going to review the book. There are already a number out there to consult available on the internet (although I couldn’t find a single one by a scholar with established expertise in the topic of the book). My points here are these: (1) For anyone who knows the literature in the field, there isn’t anything really new or shocking about the book; and (2) Aslan’s zombie claim has been put to death in appropriate scholarly fashion several times already (i.e., in evidence and method shown to be fatally flawed).

Let’s track backward chronologically through some of the various prior appearances of this particular zombie. We can start with Jesus and the Zealots: A Study of the Political Factor in Primitive Christianity, by S.G. F. Brandon (Manchester University Press, 1967). Brandon was a respected scholar and presented what is still probably the best scholarly attempt to proffer the idea that Jesus was (or aspired to be) a political revolutionary.

A few years earlier, there was the more “popular” oriented book by Joel Carmichael, The Death of Jesus (1963), which even made it into a Penguin edition (1966) and was translated into German (1965) and French (1964).

A few decades earlier, we have the works by Robert Eisler, e.g., The Messiah Jesus and John the Baptist (New York: Dial Press, 1931).

But the “granddaddy”-predecessor of them all, perhaps, was the 18th century figure, Hermann Samuel Reimarus, whose manuscript on Jesus as failed revolutionary lay unpublished for a number of years until Lessing discovered it. English translations of a couple of Reimarus’ works = Reimarus: Fragments, ed. C. H. Talbert, trans. R. S. Fraser (Fortress Press, 1970); and The Goal of Jesus and his Disciples, trans. with introduction by G. W. Buchannan (Brill, 1970).

As I said, in each successive presentation, this idea has been engaged patiently by scholars and shown to be variously selective in the data (it’s called nowadays “cherry-picking” what fits your pet theory and discarding the other bits with slashing claims that they’ve been added nefariously), and inconsistent (or incoherent) in method. The result is each case is that the idea was dust-binned as a failure, and scholarship gets on with trying out and critically testing ideas and evidence. And the general public goes on to other fads and fashions.

But, wait for it, like a zombie, this sort of claim rears up again, typically presented by somebody lacking in the scholarly expertise required to test the claim adequately, but full of enthusiasm (and prospects for the income and visibility that the claim will bring). As I say, for those of us familiar with the history of matters, it’s a bit tiresome.

As an example of a critical refutation of this particular zombie claim, see Martin Hengel, Was Jesus a Revolutionist? (Fortress Press, 1971). As a summary, there are the “six theses” that Hengel published separately: (1) Any theory of Jesus as revolutionist is based on a highly selective use of the sources; (2) There was a Jewish revolutionary movement in Jesus’ time; (3) There are some similarities between Jesus’ position and that of these revolutionaries but also major points of difference; (4) The fundamental differences between Jesus and these revolutionaries were more numerous and major; (5) The evidence suggest that Jesus was hated by these revolutionaries as much as by the Jerusalem authorities; (6) Both “right-wing” and “left-wing” extremes in the ancient Jewish setting likely viewed Jesus’ teaching and actions as provocative.

So, before people get too lathered up about Aslan’s book, let’s all just take a breath. It isn’t new in its thesis. That thesis has been tried out a number of times previously, and it’s been judged in each case fatally flawed. The current controversy will sell Aslan’s book, and perhaps even generate a program (likely on Discovery Channel), and will certainly prompt lots of comment in news media, cocktail parties, and in other social settings of “the chattering classes,” largely because most won’t realize that they’re being sold a “zombie claim” (an unacknowedged re-tread). But those acquainted with the field know that “we’ve been there and done that” and it’s not worth the lather.

(If you’re seriously interested in Jewish revolutionary movements in Jesus’ time, the “daddy” study remains Martin Hengel, The Zealots: Investigations into the Jewish Freedom Movement in the Period from Herod I until 70 A.D. (T&T Clark, 1989; latest German edition, Die Zeloten, Mohr-Siebeck, 2011; original edition, 1961).

2015-03-13T22:57:44-04:00

“Art washes away from the soul the dust of everyday life”– Picasso

Whether we know it or not, and whether we like it or not, we swim in a cultural soup, a consumer cultural soup. One of the strength’s of Steve Turner’s book ‘Popcultured’ is in demonstrating just how pervasive the effect of pop culture is on everything from our values to the way we dress, what we listen to and watch, and what we eat. One of the main reasons a Christian should not stick his head in the sand and think that pop culture is too superficial to be concerned about is that if we wish to share the Gospel with others who live in the same cultural ethos, then we need to know not only what is important to them, but what shapes their thoughts and feelings about life in general and the faith in particular.

For example, if you are dealing with a big fan of ‘South Park’ (or even some episodes of the Simpsons) be prepared for stereotypes of Christians as boring, up-tight, hypocritical, intolerant, judgmental and the like. As Turner reminds us, a 2010 survey showed that Americans on average spend 11.5 hours a week listening to music, 7.9 hours watching TV, 4.4 hours social networking, 3 hours reading magazines, and 2.8 hours a week playing video games. I would venture to guess that the distribution of these allotments would differ if we just looked at the 18-30 age bracket. Regardless, we neglect the effect of pop culture on both the churched and the non-churched at our peril.

Turner is furthermore right that popular culture, and more specifically what is popular tells us a good deal of how our contemporaries are thinking (p. 23). Turner adds “Even people who announce that they hate God will pronounce truths because its impossible for anyone to operate on 100 percent lies. We’re free to disagree with God, but we’re not free to live outside his universe.”

One of the ways Turner demonstrates not just the pervasiveness of pop culture but its influence is by pointing out what happens to people when they are stripped of their favorite cultural elements— their clothes, their music, their books, etc. This is of course what the Nazis did in concentration camps and it was dehumanizing. What that tell us is that to be truly human, we must express ourselves culturally (see p. 48). The question is— what sort of culture? Even the Amish have a culture— its just an anachronistic German agricultural culture with strong Christian values. As Turner says “God entrusts culture to us– the ability to create it, enjoy it, and critique it. The faithful servant does all three.” (p. 56). We are to be in the world without being ‘of’ it— but what exactly does this mean? It certainly doesn’t mean we are called to be killjoys for Jesus, or simply have an allergic reaction to all of popular culture, rather we must develop an acumen for sifting the wheat from the chaff.

Of course there is something to be said for the fact that in a fallen world with lots of wickedness in play, one of the values of popular culture is that it can take our mind off of some things that we need to not dwell on as Christians (p. 133). Pop culture can be a fruitful diversion in an otherwise very serious world.

Finally, I found some of Turner’s analysis of the Biblical material quite insightful. For instance, consider what he says about laughter– “The Bible speaks of laughter is four different ways. There is the laughter of sheer joy. When people who love each other gather there is laughter. Good news produces smiles. There is the laughter of disbelief. When Abraham is told that his hundred year old wife is about to get pregnant, he laughs [actually the story stresses it was Sarah in the main who offered a laugh of disbelief]…Then there is the laughter of scorn. Jeering, sneering, and mocking involve laughter. Finally there is the laughter produced by incongruity. Humans behaving like gods are always laughable. God is portrayed laughing in the Psalms at the ridiculous idea that humans think they can take him in and win. We too laugh when people act as Masters of the Universe and then slip of a banana peel.” (p. 145).

“Popcultured’ is not a perfect book, or even a must read book like Andy Crouch’s book on Culture-Making, but it is in various ways a good, insightful, and useful book full of important information if we are to understand the world we live in, and what motivates, drives and influences those we hope to lead to Christ.

2015-03-13T22:57:44-04:00

Steve Turner, born in 1949 Northamptonshire England, is a Christian who is a journalist, poet and writer. He currently lives in London. He has written several significant books on famous rock musicians and bands who have had some connection with Christianity— namely on Eric Claption, Van Morrison, and U2. As a music journalist he interviewed many of the mainstays of British pop and rock music, including Lennon and McCartney and David Bowie.

He is imminently qualified to talk about this aspect of pop culture, but oddly, strangely, in his new book Popcultured (IVP, 2013) he almost completely fails to do so, and this in spite of his admission that surveys suggest that if a person was given the choice of taking one form of pop culture with them when they were exiled to a desert island, 64% said it would be there tunes. And it’s not like there wasn’t room in this book which is only a little over 200 pages of text for a good juicy chapter on pop music (cue the 1979 one hit wonder song by M— ‘popmuzik’——

[N.B. historical note– British white guys like M were making pop hits out of a form of rapping, not singing, long before the rap craze, beginning in the late 80s and ever since].

In other words, Steve mostly avoids talking about the one subject he is most qualified to discourse on in this book. This is unfortunate because this book is otherwise an admirable survey of various fields of pop culture and a Christian understanding of pop culture. Color me disappointed with this aspect of this book. At the same time, there is much to commend about this book. Here is the IVP summary of what the book is about….

“There’s no avoiding popular culture—we’ve been enculturated into it. What does it mean to be faithful Christians in a pop culture world? How do we think Christianly about celebrity and leisure? Some Christians try to abstain from “worldly” pursuits, while others consume culture indiscriminately, assuming it has little effect on them. But if Christ is Lord of all of life, then there ought to be Christian ways to engage with and appreciate popular culture.

“Steve Turner has spent his career chronicling and interviewing people from the worlds of music, film, television, fashion, art and literature. Now he provides an insider’s guide to a wide range of entertainment pursuits, with biblical frameworks for understanding pop culture genres and artifacts. Turner explores

how movies use redemptive narratives and parables
ways journalistic headlines convey worldview assumptions
differences between famous people in the past and celebrities today
what ideas are communicated through clothing and fashion design
how technology changes our sense of what is real
and much more

God entrusts culture to us and gives us the ability to critique it, enjoy it and create it. This book will help you become a better cultural critic, consumer and creator.

Read more: http://www.ivpress.com/cgi-ivpress/book.pl/code=3768#ixzz2ZcCF8PMC

The book begins with general chapters on how pop culture has in part arisen as a response to the increasing leisure time and disposable income of many people in the West. There is a chapter defining the term, and one attempting to provide some Biblical parameters for assessing pop culture. Then there is a series of survey chapters on journalism, celebrity culture, fashion, comedy, advertising, technology, photography (where the author strangely claims he is a professional photographer— p. 200, but journalism and writing, not photography would be better said to be his proper profession), TV and movies, including one on Christian themes and attempts at TV and movies, and more.

Clearly Steve is well read in these various fields in so far as they deal with or represent and create various aspects of pop culture, and each chapter ends with some good bibliography, some questions for thought, and some websites to consult. This is all quite valuable as are the numerous statistics and specific examples in this book which put flesh on the bones of a discussion of pop culture. I will say more on the particulars in a subsequent post. Here, however, I want to say something about the attempts at Biblical and Christian reflection on these aspects of popular culture. Sometimes Steve does a good job of connecting Biblical ideas (both theological and ethical) to the analysis of pop culture. But sometimes his enthusiasm for pop culture seems to overwhelm his critical judgment. Let’s take one example from late in the book.

On p. 218, while talking about Mel Gibson’s ‘The Passion of the Christ’ we find this comment—-
“What was so unexpected about ‘the Passion’ was that it was radical without being liberal, authentic without being sentimental, orthodox without being dull, new without being modern (or postmodern). Its one shortcoming was that in making the violence more graphic than in previous Jesus films, it left the impression that Christ’s sufferings for sin were primarily physical and visible rather than spiritual and unseen.”

That was the only thing wrong with this film??? Not even close. Some 35% of this film comes not from the Bible or Biblical research but from the mystical and sometimes anti-Semitic writings of a nun, Anna Catherine Emmerich, particularly from the ‘Dolorous Passion of the Christ’.

I will certainly grant that this movie is a powerful movie. It hits you like a sledge hammer, but in fact the use of Emmerich’s material skews the Biblical picture in lots of ways, and there have been important collections of essays by Jews and Christians demonstrating how historically skewed and problematic this film is.

At it’s heart it focuses too much on Jesus’ pre-crucifixion suffering, which is mentioned only in passing in the NT (cf.Mk. 14.43-52;Mt. 26.47-56; Lk. 22.54; John 18.1-11) compared to the focus on the death of Jesus on the cross. The reason for this is clear. Gibson believes in passion mysticism, the notion that suffering itself is redemptive. The Gospel writers by contrast stress that atonement for sin only transpires because of what happened on the cross. Had Jesus been flog, and then released, there would have been no redemption, no atonement for sins because there was no life poured out in death. By overplaying the flogging, throwing in non-Biblical bits like Mrs. Pilate providing clothes to mop up the blood (since the blood itself is seen as healing in passion mysticism, and the cloth thereby becomes a magical relic) and the like Gibson concocts a powerful presentation that in various ways is misleading and does not agree with the presentations of the four Gospels.
[Further sad note— the movie The Gospel of John, with excellent production values and acting, which was a verbatim of the Gospel of John, came out at the same time as Gibson’s movie and yet the church in its wisdom didn’t go to that movie but rather patronized Gibson’s movie. Bad choice, and showed the general Biblical illiteracy of the church itself at the beginning of the 21rst century.]

On this point one should read some of the essays in Perspectives on the Passion of the Christ (published by Mirimax Books in 2004) in particular I would commend the essay I wrote called ‘Numbstruck: An Evangelical Reflects on Gibson’s Passion of the Christ’, and the essay written by A.J. Levine as well. In short, Gibson chose to take the liberty to add violence to the depiction of Jesus’ sufferings prior to and on the cross, and in this case at the expense of the Jews, when in fact John 18.12 is very clear– the soldiers sent to arrest Jesus were chiefly Romans, and it was Romans who executed Jesus, not Jews.

What is sometimes, but not always, lacking in this book by Steve is sufficient critical analysis from a Biblical point of view when it comes to the various sub-fields of popular culture. In my next post on this book, however I will happily be able to say much more positive things about the merits of this book.

2015-03-13T22:58:16-04:00

This one is different, for this one is personal, and for my money this may be the best of all the novels in this series. The reason this story is personal for John Rebus is because one of his nephews is killed when an apparently crazed former soldier comes into a school, killing two children, and wounding a third— or did he? At the same time, John Rebus’ best colleague, under study and friend, Siobhan Clarke, has been attacked and repeatedly harassed by a ne’er do well bad guy and then he is found burned to death in his home not long after John Rebus had visited the man, apparently to convince him to leave Siobhan alone. In both cases, Rebus should have been off the case altogether due to conflict of interest, but he’s not having it. He must do something because ‘its a question of blood’, or at least in the case of John and Siobhan close affinity. Here is the summary from Amazon about the plot…

Given his contempt for authority, his tendency to pursue investigative avenues of his own choosing, and his habitually ornery manner, it’s a wonder that John Rebus hasn’t been booted unceremoniously from his job as an Edinburgh cop. He certainly tempts that fate again in A Question of Blood, which finds him and his younger partner, Detective Sergeant Siobhan Clarke, trying to close the case of a withdrawn ex-soldier named Lee Herdman, who apparently shot three teenage boys at a Scottish private school, leaving two of them dead, before turning the pistol on himself.

“There’s no mystery,” Siobhan insists at the start of this 14th Rebus novel (following Resurrection Men). “Herdman lost his marbles, that’s all.” However, the hard-drinking, chain-smoking Rebus, who’d once sought entry into the same elite regiment in which Herdman served (but ultimately cracked under psychological interrogation), thinks there’s more motive than mania behind this classroom slaughter. Perhaps something to do with the gunman’s role in a 1995 mission to salvage a downed military helicopter, or with Teri Cotter, a 15-year-old “Goth” who broadcasts her bedroom life over the Internet, yet keeps private her relationship with the haunted Herdman. Rebus’s doubts about the murder-suicide theory are deepened with the appearance of two tight-lipped army investigators, and by the peculiar behavior of James Bell, the boy who was only wounded during Herdman’s firing spree and whose politician father hopes to use that tragedy as ammo in the campaign against widespread gun ownership. But the detective inspector’s focus on this inquiry is susceptible to diversion, both by an internal police probe into his role in the burning death of a small-time crook who’d been stalking Siobhan, and by the fact that Rebus–who shies away from any family contacts–was related to one of Herdman’s victims.

Now middle-aged and on the downward slope of his pugnacity (the high point may have come in 1997’s Black and Blue), Rebus has become the engine of his own obsolescence. Overexposure to criminals has left him better at understanding them than his colleagues, and he only worsens his career standing by fighting other people’s battles for them, especially Siobhan, who risks learning too many lessons from her mentor. To watch Rebus subvert police conventions and fend of personal demons (that latter struggle mirrored in A Question of Blood by Herdman’s own) is worth the admission to this consistently ambitious series. –J. Kingston Pierce.

One of the features I like about this particular installment of the series is that we find Rebus not playing his cards so close to his vest, unlike Ian Rankin who keeps us in suspense to the very end of tale as to how in the world things are going to be sorted out. And inquiring minds want to know— how exactly did John Rebus burn the daylights out of his hands…especially if he was not present when Mr. Fairstone, the bad guy who harassed Siobhan was turned into a crispy critter. You get a rare picture into the heart and soul of John Rebus, into his real feelings, and what he like when the protective facade of cynicism and quick quips is stripped away. Rebus, the lion of justice may be getting long in the tooth, but he’s still on the case, still on the prowl, and still very much on his game.

2015-03-13T22:59:28-04:00

It’s always a risk to attempt to ‘sample’ previous fictional literature and use one or more of it’s premises to write a new story. The danger of course is comparison—to the detriment of the later writer’s work, especially if he is ‘sampling’ a classic like Robert Louis Stevenson’s ‘Dr. Jekyll and Mr. Hyde’. But Ian Rankin is from Edinburgh, and he loves the literary past of the city, and in this case, the sampling is not botched or obsequious or a mistake. I would liken it to what the TV show Elementary has done with the legacy of another Edinburgh writer— A.C. Doyle.

This is the second novel in a series that now has run to 18-19 volumes, and so it is early days for Inspector John Rebus and his work in Edinburgh. This particular novel introduces us to the sidekick— Brian Holmes, who proves to be a good Watson to Rebus’ Holmes, to borrow and Edinburgh metaphor. If you have not had occasion to hear the story of Deacon Brodie who provided the original factual fodder for Stevenson’s original story, you should look him up. This story is not about him, but it is a story about revealing the seamy underbelly of crime and addiction and gambling and evil in general in Edinburgh. It’s rather like pulling up the mat on your front door stoop, and seeing the cockroaches. All along people had been admiring the new doormat, but not bothering to look underneath. Well, Inspector Rebus is hard wired to look underneath. He’s a relentless blood hound who is out for blood, and will not be deterred, even if someone is trying to make sure he’s interred. Here’s a plot summary from the source…

“At night the summer sky stays light over Edinburgh. But in a shadowy, crumbling housing development, a junkie lies dead of an overdose, his bruised body surrounded by signs of Satanic worship. John Rebus could call the death and accident–but won’t. Instead, he tracks down a violent-tempered young woman who knew the dead boy and heard him cry out his terrifyng last words: “Hide! Hide!” Now, with the help of a bright, conflicted young detective, Rebus is following the girl through a brutal world of bad deals, bad dope and bad company. From a beautiful city’s darkest side to the private sanctums of the upper crust, Rebus is seeking the perfect hiding place for a killer, in Hide and Seek, the second novel in the series from Ian Rankin.”

These novels are atmospheric… and you can see the descriptive power of the author beginning to increase and develop. And he keeps bringing Christianity, specifically Scottish Presbyterianism into the picture. Take for example the following… the villain leaves a suicide note saying

“I am the chief of sinners, but I am also the chief of sufferers”

Or consider this description of Rebus on p. 82— “bu Satanism found his mind well and truly closed. He was a Christian, after all. He might not attend church often, detested all the hymn singing and the bald sermonising, but that didn’t mean he didn’t believe in that small dark personal God of his. Everyone had a God tagging along with them. And the Scots was as ominous as he came.” So indeed, these novels are not just about good and evil but a particular sort of vision of good and evil, and the Calvinist vision of God comes in for some heavy weather along the way. What kind of God justifies sinners, asks Rebus, but leaves them sinners? Why are there people who are solid citizens by day, and demons by night?

This novel takes place over the space of basically a single week.. and the chapters are all named after a day of the week. Each chapter also begins with a quote from the Stevenson original. This is effective up to a point, but it seems contrived at points as well. I liked this second installment in the series, but the third one, already reviewed here is a corker. Go for it first, if you’re looking for a mystery thrill ride.

2015-03-13T22:59:31-04:00

Here is the lecture I gave May 2nd at Castle College on the Bible and the Media…

RELIGION AND THE MEDIA IN THE POST-MODERN WORLD

PROLEGOMENA

I have spent a great deal of my time as a professor of Biblical Studies working with the media— ABC, NBC, CBS, the BBC, the Discovery and History Channels and so on. There are really two different sorts of dealings with the media that people who teach religion or theology are likely to have in this day and age— questions from the press about recent archaeological discoveries or developments in the Lands of the Bible, and secondly Christmas and Easter or even other sorts of specials commissioned by some major network as a program or series of programs. For an example of the latter, take the BBC series I did called the Story of Jesus, which aired here and in the U.S. a couple of Easter seasons ago. Usually what happens is that the print media news division gives tips to the program division about who to interview and who speaks well on camera and then you get a phone call. Print media interviews are of a more urgent nature (‘can I speak to you today…’) because of something suddenly being newsworthy, whereas TV programs gestate over a longer period of time. Now a days, much is created in a sound studio with the help of CG, but there are still series, such as the Story of Jesus, or the show I did for CBS called The Mystery of Christmas, where you go and film in Israel or elsewhere on location.

None of this might seem very important to you in the classroom, except as the occasional film clip to be used to illustrate your teaching about religion or the Bible, except that unfortunately in a post-modern, and increasingly post-Western, post-Christian era, even in large parts of the West itself, there is rampant Biblical illiteracy even among the well educated, and that includes the media. In this sort of situation, perception is reality and image is crucial. In other words, one of the reasons you find yourself having to justify the teaching of religion and theology in what I would call public schools and public universities is to a very large degree because you have an image problem, generated in part by that very ignorance of religion and theology in our culture. It is assumed that religion or theology has only to do with antiquity or out-moded non-scientific ways of thinking, and in any case is not essential to the curriculum in the U.K. in an increasingly scientific age. This prompts the need for justification of such classes and course of study, increasingly so since in the case of schools in the U.K. public tax dollars go to supporting these classes or course on religion or theology and indeed various of these educational institutions are declared charitable ventures.
This of course is different from public schools or universities in America which are not charitable organizations at all, and are simply supported by public tax dollars. Furthermore, there is the difference that in the American setting religion or theology is basically not taught in public schools, or it is mentioned in passing in a history class perhaps. There are not separate classes or course of studies in such things before one gets to colleges. Even in colleges, increasingly even in major universities in America where the Bible has been taught and is still in some instances taught, it is taught as part of a department of world religions, or even in some cases taught as one part of a course on world religions. There are no departments of theology or the Bible in modern secular American universities. You may find that very odd since America on any accounting is a far more church and synagogue attending place than the U.K. but then the separation of church and state as a founding principle of America set in motion a different religious history than yours, where you still have a monarch who technically though not really is ‘the defender of the faith’. In other words, the relationship between politics and religion in this country is not the same as in the U.S. I have said all this as a backdrop to talking to you about what Jo McKenzie in fact wanted me to talk about— namely the benefits of having courses and curriculums of religion and theology in what I call public schools and universities. But how does one defend such things without becoming overly defensive? Especially if one is dealing with the media, since they love the soundbytes or the dramatic emotive pictures, one has to be very careful what one says and how one says it— image may not be everything, but it is all the religiously illiterate who watch the news have when evaluating what you do. In a post-modern situation perception is all too often assumed to be reality, most especially when it comes to religion and theology.

GETTING DOWN TO BUSINESS
If the task were given to me to provide a rationale or justification for the continued teaching of religion, the Bible, theology in your schools at whatever level, I think I would first approach the matter by talking about history, and where Western civilization, including its art, architecture, literature, customs etc. come from. For example, I have not noticed recently an anti-Shakespeare or an anti-Milton, or an anti-Chaucer society growing up in your midst, or a campaign against teaching such things in your schools, but frankly you can’t fully understand Shakespeare, Milton, Chaucer etc. etc. at all unless you know things like the BCP, the Geneva Bible, theology. Western culture whether we are talking about literature, art, architecture and so on, is deeply indebted to the Bible, Christianity, theology, and the religions of the Bible, particularly Christianity and Judaism. Most citizens of the U.K. still love to visit their cathedrals, love to come to concerts in such venues, love a good deal of the literature they were required to read in their school years, and so a little enlightenment or reminder that most of that English culture and religion is deeply indebted to the Bible, theology, religion would not go amiss. I must tell you a story.
I was in London watching Alec McGowen’s one man dramatic presentation verbatim of the Gospel of Mark (the authorized version of course) several years ago. At intermission is was fun to walk around in the lobby and listen to the comments. One person said “It began rather abruptly. Where were the birth narratives then?” Another said, “Where’s the Sermon on the Mount. I missed that bit. Will it be in the second half of the show?” Well, to give them credit at least these folks knew there were birth narratives and the Sermon on the Mount, but Biblical and theological illiteracy are an increasing problem, especially as less and less of those sorts of topics are taught. Your task is not just to educate your students in your classes, you need to educate the general public about the value of your subject matters, and that requires dealing with the print and television media. Furthermore, you need to be a good will ambassador for the subjects you are teaching, wherever and whenever you have an opportunity to do so, putting your best foot forward, as it were. One of the things you could do as a group, is figure out who amongst you is the best on camera or in an interview, and regularly recommend that person or persons to the media when there are requests and interviews and television shows on offer. I would stress that your public, as in the U.S., is more likely to listen to teachers than clergy on such subjects, because of course there is a natural suspicion about what the clergy will say about the Bible, theology, religion, since they have a vested interest in it.
I found it amusing recently when there was a review of Bart Ehrman’s Intro to the NT for Oxford, compared to my new Intro to the NT also for Oxford, and the former was called an ‘historical approach’ whereas the latter was called a ‘theological approach’, even though Bart didn’t bracket out theology, and my volume had more history in it in various ways than his did. I use this as an illustration to say that you need to emphasize that when it comes to an historical religion like Judaism, Christianity, Islam, you can’t put theology in one box and history neatly in another. These subjects are intertwined.
The second thing I would do, after pointing out how much all of Western civilization owes to theology, the Bible, religion, is that I might spend some time explaining how that is even true of the English language all by itself. Without question, the so-called King James or Authorized Bible has had more influence on English diction, turns of phrase etc. than any other single source in the course of English history. There are of course wonderful books written on this subject alone, but it is true to say, yea verily, that our English, and especially English English (as opposed to Aussie or American English) is still deeply indebted to the translation of the Bible into English in the 16th and 17th centuries. My primary degree in college was in English literature. I did a study of Shakespeare’s sonnets for example at some length. I discovered that there were about 50 or more clear quotations or allusions or echoes from the Prayer Book or the Bible in those sonnets, never mind from his plays. The same sort of demonstration can be done for Milton, Donne, Herbert, and I could go on. Or if one wants to give examples of the on going positive impact of the Bible and religion on English authors, you could point people to Susan Hill’s very interesting murder mystery series starring a woman named Cat Deerborn, who is both a doctor and a Christian. Most of these novels have a religious sub-plot in them. Having read all seven of these novels in the series, I don’t think she is finished talking about such subjects yet, not least since she herself is now involved in ministry in a cathedral.

DIGGING DEEPER
But supposing we are looking for an even deeper rationale as to why teaching theology or religion is vital in schools in the U.K. Suppose we want to probe deeper and be able to explain more what the benefit to society is of such teaching. Here I would turn to the issue of anthropology— What does it mean to be truly human and humane? What is the essence of human nature, when set apart from other sentient beings that roam the earth? Let me tell you about a recent archaeological discovery near Urfa in southeastern Turkey.
The usual sociological or anthropological party line about the relationship of religion to the origins of civilization goes like this—- first human beings were hunter gatherers, then there was the beginnings of agriculture and with that the beginnings of village life. It was only after village life began that religion appeared on the scene as, the opiate of the masses, or the tranquilizer of the frazzled, or however you want to metaphorically express that notion. It turns out that this analysis of the origins of civilization is entirely wrong. At Gobeckli Tepe there is a high place with remarkable stone circles (not unlike those seen at Avebury or Stonehenge) and the site dates to 8,000-10,000 B.C. That is it predates the evidence for human writing by several thousand years, and the pyramids by several thousands of years as well.

Let us suppose then, on the basis of this and other evidence, that human beings were religious from the start. Let us suppose that the fact that we find evidence of burial rituals with a religious diminish all over the world and cross culturally as well, tells us something about our inherently religious nature. Let us suppose that in the end the Bible was right by suggesting we are ‘homo religiosis’ inherently religious beings. If this is true, then of course there is a powerful rationale for teaching religion and theology in public schools. If we want to pretend to understand human beings and human nature, then we need to understand religion and its place throughout human history, all the way back to its origins in places like Gobeckli Tepe.
If in fact it is true that human beings are indeed bearers of the image of God, inherently religious by nature, one can also make the case that this is the true basis for saying that all human beings are creatures of sacred worth, and this in itself creates a rationale against war, abusive behavior, and the general devaluing of human life that we see every day when we watch the news.
Besides the various arguments, historical, linguistic, literary, sociological on how religion, and most specifically Biblical religion, has helped build Western society, to which we have now added the anthropological argument mentioned above about human beings being fundamentally religious by nature, there is also of course the ethical argument. Religion, theology tends to promote and provide a sanction for more ethical behavior. If you believe human beings are of sacred worth, if you believe human civilization requires civil behavior to not merely survive but to thrive, then the implementation of ‘love thy neighbor as thyself’ is bound to promote the civilizing of human society. This becomes especially urgent as Western society becomes ever more radically individualistic and narcissistic in its ways. If you are a historian of religion, you know that ethics without some sort of theological sanction, such as the belief that there is a God who holds people accountable for their behavior, usually proves to be an ineffective if not entirely useless ethic. If you have ever served on a committee for a hospital where medical ethics are the issue, and hospital praxis is the outcome, you will know what I mean by this. Pragmatism and cost-effectiveness are the sanctions that actually guide the ethical policies of so many hospitals, rather than actual ethics grounded in things like the sacred worth of human life. This comes to light especially when discussions about the quality of a life always trumps discussions of quantity of life. But of course you must have a life before you can talk about the quality of that life.

IN SUM
There are plenty of good rationales, and good arguments that can be presented about the benefit of teaching theology and religion in public educational institutions at any and all levels of education including post-graduate education. These rationales are varied, involving history, language, literature, art, architecture, anthropology, ethics, the study and understanding of human psychology and human nature, and I could go on. But what is crucial beyond the arguments is the presentation of the case, whether being made to the general public, or to the assessors of education and its degree programs at the college or post-graduate level. What I would stress is that however we might favor substance over form, in a multi-media age presentation and appearances matter, both the way we speak, how we appear. We have to bear in mind as well to whom we are speaking.

In a Biblically and theologically illiterate culture, we should not expect the media to know technical terms and phrases, but they have a nose for defensiveness so your presentation needs to be positive in nature. In short, if you want to win some, you need to be winsome.

2015-03-13T23:01:07-04:00

When it comes to Good Friday, we tend to hear a lot of sermons about the soteriological benefits of Christ’s death for us all, which is of course appropriate. What we do not hear a lot of sermons about is what the cross tells us about either the character of God and why the cross is necessary in the first place. For example, if we consider the last matter first, if the death of Jesus was not absolutely the necessary and sufficient means of atonement for our sins, then it’s hard to imagine God as a loving God at all. What loving Father would subject his Son to that sort of hideous suffering and death if it were not absolutely necessary? Otherwise, the cross seems to be an example of divine child abuse in an extreme form. And yet it is not, but why not? There are of course other ways that God could have demonstrated how much he loves us. And this brings us around to what Good Friday tells us about God’s character.

God, as the Bible tells us repeatedly is holy, righteous, just. The Bible also tells us that God cannot pass over sin forever. Rom. 3.25 indicates that God may show his forbearance for a time and pass over sin, but he cannot do so forever. Eventually, righteousness and justice must be served. This is just a part of God’s character. The trick for God is to be both righteous and the one who sets right sinners. Paul in Romans 3 says that God does this: 1) while we were yet sinners, 2) while we were yet far apart from God and strangers, and indeed 3) while we were in fact enemies of God, at war with God. God’s Friday is a demonstration of God’s righteousness, but also of God’s mercy. It should have been us up on the cross. Jesus is the one person for whom Jesus did not need to die. Think on that a bit.

Sometimes Christians think that because God is forgiving, he can take a pass on his righteous character, or over-rule it because he is such a loving God. It doesn’t work that way. God’s righteousness never sleeps and does not go on vacation. And anyway, who would want to live in a world where justice is not finally done, considering all the wicked things that have transpired throughout human history. Think of the cry of the martyrs in heaven in Rev. 6— How long O Lord? This is not because they are blood-thirsty or necessarily vindictive. They simply want to be vindicated. And the whole thrust of Revelation is to make clear that vindication and justice must be left in the hands of Jesus. The one who is our Judge is also the one who has already paid for our sin. Incredible! The cross reminds us that God found a way to be both just and the justifier of sinful human beings. That way was Jesus. Interestingly, the vindication comes not just at the cross, but also at the second coming when Jesus returns to judge the quick and the dead.

So God’s Friday reminders us that righteousness is not cancelled out by redemption. Paradoxically, it is express through the event of redemption on the cross. Justice is not denied nor is it deleted when mercy and compassion are expressed by God, though in various ways it is deferred to the end of human history. Furthermore, experiencing salvation or redemption in no way cancels our accountability for our sins. Look at 2 Cor. 5.10– we all, including all Christians must appear before the judgment seat of Christ to give an account of the deeds done in the body. We have to go before Jesus’ truth and reconciliation commission in the end. And the reason why is explained in 2 Cor. 5.21— the goal of the whole process of redemption is so that “we might become the righteousness of God”. So that we might become actually holy, not just positionally holy or set apart. In the end, God expects his people to reflect and even model the full character of God— holy and loving, just and fair, righteous but not self-righteous, merciful, but not by ignoring or failing to deal with sin and its consequences.

The cross stands sentinel against all of our cliches and trite assumptions about God and God’s character. It tells us that God has set up a moral universe reflecting his character, in which its a matter of ‘truth’ or consequences. Those who do not embrace the truth, suffer the consequences of their sins. But if anyone is in Christ, God’s Friday is a good Friday indeed. In fact it is the TGIF best Friday ever.

2015-03-13T23:01:08-04:00

While the conclusion of this weighty tome is but six pages long (on which see the coda below) the final essay is not (pp. 290-317). Jean Francois Landolt (yet another colleague of Marguerat at Lausanne) focuses on Paul as an exemplary figure in his letters (see 1 Thess. 1.6; Gal. 4.12; 1 Cor. 4.16; 11.1; Phil. 3.17) and wants to compare that image with Acts, asking whether Acts also presents Paul as a exemplum. All this is fine and dandy, but Landolt also wants to take Romans 7 as autobiographical, which definitely does not work (see my Romans commentary, ad loc).

In Phil.3.4-14 we have the first person, and get the sense that this section is deeply personal (see the ‘we’ before and after that passage). Paul in this passage contrasts his previous Pharasaic evaluation of his now past life, with his current evaluation of that past life. He is not now suggesting it was all wasted and worthless, he is saying that he now reckons it as a loss, even as excrement due to the surpassing worth of knowing Christ. So what we actually have in this passage is a rhetorical synkrisis or comparison. But what aspects of Paul’s behavior is he calling for imitation of? It would appear to be cross-bearing, because his call to imitation is linked to Paul’s own imitation of Christ himself. So the imitation has to involve something that Christ himself also did.

On pp. 298-99, and really for the first time in this whole volume, in the course of Landholt’s treatment of Rom. 7. Landholt acknowledges that this text from about vss. 7ff. could be an example of rhetorical speech in character or impersonation. Here he cites the early study of Edart. What he does not do is properly distinguish the verb tenses here, where first Paul speaks of Adam as an individual and his unique experience, and then he speaks of those who are in Adam, including Jews who are not yet in Christ. Landholt wants to hold out for Paul speaking about himself in this entire passage, it appears, but that is hard to argue for vsss. 7-13 where we have Adam’s unique story. A better case could be made for Paul placing himself along with all other non-Christians in the purvey of vss. 14-25 as one of all who are in Adam. This however also doesn’t work since Paul in Phil. 3 says he was blameless when it came to the Law, not trapped by it and unable to fulfill it. Landholt ends by arguing that Rom. 7.7-25 echoes Gen. 2-3 and deals with our common humanity (including Paul’s), again ignoring the verb tenses and the aspects of vss. 7-13 which could only refer to Adam’s unique experience (‘I was alive before the Law….’). Indeed, Landholt wants to argue that Romans 7 is about all humanity whether they are converted to Christ or not! But this makes a nonsense of the rhetorical contrast between Rom. 7.5-6 and Rom. 8.1ff on the one hand which do speak of Christian experience, and Rom. 7.7-25 which do not do so.

Landholt examines the three conversion narratives about Paul (Acts 9,22,26) and notices in the first one a theme we also find in the Pauline letters, namely Paul’s suffering for Christ. Saul goes from being the persecutor, to being the one persecuted (pp. 302-03). As is well known the accounts in Acts 22,26 are in the first person, and so here we have Luke stepping into the background (unlike in Acts 9 which is a third person account) and Paul stepping forward and offering self-assessment (according to Luke’s portrayal).

It is a pity that Landholt doies not engage with Tannehill’s landmark study of these three conversion accounts, where he shows how they are intended to have a cumulative effect. Yes, it shows how important Paul’s conversion is to Luke, but more than that, it is an event so crucial to the history of early Christianity and so complex in various ways that it requires several unpackings, just like the life of Jesus does in the Gospels (see my treatment of the three accounts in my Acts commentary). Landholt suggests that Luke is stressing the reversal in Paul’s identity in Acts 9, and in Acts 22 the continuity of his new identity with Judaism (p. 305). Marguerat thinks the three accounts are intended to provide a sort of blueprint of conversion of persons.

Landholt spends time analyzing John Lentz’s views on the portrait of Paul in Acts. Certainly, Lentz is right that Luke portrays Paul as a person of considerable social status, even as a Roman citizen. Landholt does not debate whether this portrait is accurate or not, but he does go on the critique various elements in Lentz’s analysis. Landholt is able to show how both Phil. 3 and the Acts conversion accounts say about the same thing in regard to Paul’s relationship to the Law and to Jesus, prior to, and then after the conversion. Both emphasize what a change of perspective Paul has on these things after Damascus Road. As Landholt says, the question becomes in what lies the continuity between Paul and Judaism? His conversion is a radical one, Paul’s message has a considerable degree of novelty to it. Paul did not learn to preach a crucified messiah by diligent study as a Pharisee. The point is, when Paul claims to be a Jew, it is a radical and new kind of messianic Judaism he is talking about.

The language of imitation is then treated a bit more, and it is noted that imitation of Christ involves cross-bearing and suffering, and that Paul becomes an exemplum for his and Luke’s audience not merely of how to bear suffering in general, but more specifically how to bear and overcoming suffering for Christ, and suffering like Christ. Landholt faults Lentz for over-emphasizing Paul’s status as a Roman citizen etc. at the expense of what actually happens in the trial narrative. Paul is an example not because he is a Roman citizen or a social elite, but because like Christ he suffers for the Gospel. And he can also be seen as an example in his radical conversion as well.

CODA

Sometimes editors do their best to stay in the background and resist the temptation to have the last word, or even correct some things the essayists said, and this volume is an example of that. Admirable restraint on their part. They reflect a bit on the demise of the Tubingen model of analyzing an Acts which portrays a Paul at odds with the portrait of the undisputed letters, and stress that two factors most contributed to this in the current era: 1) a more sophisticated approach to narrative, which, among other things recognizes that Luke is a theologian and narrative is the means by which he conveys it. “Rather than dumb down the pure logos of discursive thought, narrative enables great subtleties of thought to be expressed in equally if not even more complex ways of enlightenment” (p. 319). Exactly. Luke uses narrative to stress, confirm, and even refute some things about the early Christian movement, which should not be seen as inferior to the more discursive rhetoric of Paul.

What is odd about the conclusions comes to light in the following comment: “The application of rhetoric to both the discursive arguments of the Pauline letters and to the narrative-rhetorical strategies of the Lukan narrative have yielded dramatic results.” (p. 319). You would never guess this comment was true about Paul’s letters from the essays in this volume, where it hardly comes up at all, and is, in my judgment, a significant lacuna in this volume. More debatable is the discussion in the volume about ‘the reception history of Paul and his letters’ when Paul’s own letters are seen as contributing to this later reception or legacy. Still Hays is right that Luke’s portrait of Paul is an organic development within a Pauline symbolic universe in which OT texts are used in similar ways to make one’s theological points. Paulinism, as it turns out, is not the betrayal of Paul, but rather the later portrayal of the genuine Paul, amplified, and extended to new audiences and days.

There is a strong emphasis at the very close of the book on how both Luke and Paul are continuators, when it comes to the religion and legacy of early Judaism, not supercessionists. While I certainly agree with this, what is also true is that they are both convinced that the early Christian movement is the true continuation, the true development of Judaism into its proper messianic form. It would be hard for such a viewpoint not to be seen by non-Christian Jews as a replacement theology, even though it was not intended to be such. If one argues that “Jesus of Nazareth is Israel’s true heritage and enduring legacy to the world” (p. 321) one is saying that the axis of emphasis has changed, and it will never do to relegate, sublimate, ignore, or deny this legacy. What is clear from both Acts and Paul is that Paul is one of the main instigators of the change in this Jewish symbolic universe. The book concludes “Whoever Luke was, Paul and the Heritage of Israel demonstrates that he is intent on showing how the Christian movement, represented iconically (and ironically!) by Paul, is organically tied to the history and scriptures of Israel and claims its heritage as the legitimate growth and flowering of God’s election of a special people.” Just so, and to use Pauline language, those people are Jew and Gentile united in Christ.

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