for AmCon: There’s a lot to love about this swoony, drifty vampire flick, a sensual opium dream which unfurls in a lushly-colored musical haze. Tilda Swinton was born to play a vampire, with her giant sepulcher-face full of bones. She’s magnetic, as are the cityscapes, a bleached-white Tangiers and half-abandoned Detroit. The blood=drug equation isn’t subtle, but there’s a subtler, haunting motif of music and nostalgia as ecstatic drugs in which we lose ourselves. The vampires are drunk on their... Read more