here you go: Ravelstein, Saul Bellow’s roman à clef about the last years of philosopher-provocateur Allan Bloom, may be the best post-9/11 novel published in the year 2000. Ravelstein has as many virtues as its subject has grabby, endearing vices. It’s a subtle portrayal of the blurred boundaries between eros, philia, paternal, and filial love. It calls attention to its own provisional nature: “I may return to this subject later,” the narrator says, but “I probably won’t.” It’s a loving... Read more