Supercuts explore key visual motifs in Aronofsky’s films

Supercuts explore key visual motifs in Aronofsky’s films March 19, 2015

noah-backofhead

Back in October, I posted a series of screencaps demonstrating the visual and thematic links between Noah and Darren Aronofsky’s earlier films. One of these days, if I ever familiarize myself with video editing software, I might do something similar in video form. In the meantime, “supercuts” that chart the visual links between Aronofsky’s films — up to and including Noah — have begun to surface. You can check out two of them below the jump, and I will add more to this post if any come along.

‘Pupil’ looks at how Aronofsky’s films have focused on the eyes of their characters:

‘Blind Leading the Blind’ looks at how the camera in his films often follows characters from behind, as if to make it seem that we are being dragged behind them:

"https://www.facebook.com/In...The Chosen just released their trailer and first episode!!! It's what we need this time ..."

The Chosen — ethnic and neurological ..."
"That's why I said "new". Methuselah was first announced five years ago; the only new ..."

A new Bible-movie trilogy is in ..."
"It's the fourth, if you include Michael B. Jordan's announced Methuselah movie.https://variety.com/2019/fi..."

A new Bible-movie trilogy is in ..."
"Here are 8 reasons to stay far away from Fr. James Martin, SJ.https://www.tfpstudentactio...This priest strives ..."

Watch: The trailer for the History ..."

Browse Our Archives

Follow Us!


TRENDING AT PATHEOS Entertainment
What Are Your Thoughts?leave a comment