At first From Dusk Till Dawn looks like it might strike a balance between Quentin Tarantino’s savvy scriptwriting and the kinetic camerawork and adrenaline editing that are Robert Rodriguez’s forte. Indeed, the opening shoot-out, which segues smoothly from snappy dialogue to airborne hemoglobin, is a masterful fusion of talents. But after that, their styles prove to be as insoluble as oil and water. This is not one movie but two half-movies; one might call it Two Rooms. The defining moment… Read more