In the Bible of contemporary gospel music, Nick Cave’s new pair of albums prove he’s a Major Prophet. Like David Eugene Edwards (of Sixteen Horsepower and Woven Hand), Cave’s brutal honesty, surreal symbolism, zeal for the sublime, and righteous anger at himself and the reset of humanity sets him up as one of rock and roll’s equivalents to John the Baptist crying in the wilderness, making way for the return of the Lord even as he decries those who claim... Read more