Serious Play: Shifting Our Perspective on Ritual

Serious Play: Shifting Our Perspective on Ritual February 4, 2021

My second book, The Witch’s Path, is now available for preorder. I’m very proud of it, and pleased to here be able to share a short excerpt from it.

The Witch’s Path is my love letter/pep talk to other witches as a whole. Whatever kind of witchcraft you’re into (or thinking about getting into), this is for all those people out there going, “Ugh, there’s too much to read and I’m lost,” or “I’ve been at this for years and I’m bored—what’s next?” or, “I love this but I’m afraid to actually practice,” or “I can’t believe how terrible this community can be sometimes—why do I still hang out with these people?” (or, conversely, “This community is amazing and I want to find my place in it.”)

It’s both a beginner book and an advanced book at the same time, if you can believe it. How do I manage that? Well, because I spent a few years working in classrooms full of students at completely different levels, being responsible for all of them equally, at the same time. The core concepts are the core concepts (identity, magic, ritual, community, study, devotion, ethics, and more). What makes us a beginner, an intermediate, or an advanced practitioner is our relationship with those core concepts–how we think about them, what we do with them, where we choose to take them. That’s the meat of the book. Regardless of what kind of witchcraft you practice. There’s no prerequisite to identify in any particular way, to believe in gods, or any of that. There’s room for many perspectives, even where they conflict.

I wrote it for me, when I was feeling burned out. I think there’s stuff here that hasn’t been said before within witchcraft spaces (I pull a lot from my teaching and religious studies background), and I hope that it collectively shifts some of the discourse in our community about how we learn and what practice can look like.

This following short section is from my chapter about ritual. Enjoy!


Serious Play

One of the reasons why Witchcraft is so tantalizing, I think, is because it speaks to something from childhood, be it our actual childhoods or the idyllic ones we wish we’d had (and all children deserve). Kids’ books are full of magical tropes that influence us long after we become adults. When I read my first books on Witchcraft, magic, and polytheism, I couldn’t help flashing back to my own favorites: Zilpha Keatley Snyder’s The Egypt Game, Frances Hodgson Burnett’s A Little Princess and The Secret Garden, and Roald Dahl’s Matilda. All feature children living secret magical lives, apart from the drudgery of adulthood.

Being a Witch is a little like having a double life and access to a magical otherworld—a Terabithia or a Narnia—that only a lucky few even know exists. Doing ritual is like consciously plugging into this childish sense of wonder. But that feeling of childishness is also inhibiting for a lot of Witches, especially in the beginning. Does ritual seem difficult because you feel stupid? Does your spellcasting suffer because you doubt yourself? These are common concerns, especially for people who come to the Craft when they’re older. As exciting as it might sound on paper, it’s hard not to feel goofy standing alone in your bedroom casting a circle, waving a magic stick around, and reciting lots of florid poetry because you heard it can change your life and you want it to be true. I’ve got one of those professional cubicle jobs and a closet full of sensible shoes—believe me, I know how ridiculous my religion sounds to other people. I should get some kind of commission every time someone finds out I’m a Witch and says, “But you’re smart!” or “But you look normal!” People said the same kinds of things to me in graduate school (because surely only intellectually stunted people think that they’re Witches, right?).

Even if you’re not lucky enough to have people calling you silly to your face, you might have a voice inside of your head picking up that slack. I know I did. We get good at discouraging ourselves and discounting our experiences, chiding ourselves for being foolish or gullible. What if someone walked in and saw? What it someone heard you through the walls? Getting over that self-consciousness can feel like a giant hurdle. There are solutions, though, and they entail taking advantage of that voice in your head calling you childish.

There’s been plenty written in the fields of psychology and education about the role that play fills in the development of children. Aside from encouraging creativity, autonomy, and dexterity, it actually helps with brain development itself. Play is no less important as we age. When I worked as a teacher, my seventeen and eighteen-year-olds also required periods of play in the classroom to retain new knowledge, to regulate their moods, and to build relationships and cognitive connections. Play, it turns out, is serious business. Adults are often discouraged from engaging in play, unless it’s channeled into sanctioned sports and games. Dressing up and playing pretend becomes acceptable in theater, at Renaissance festivals, in cosplay, and in live action role-playing (but even these things often draw derision from onlookers who think participants are questionable). But whether it’s Halloween costumes or football, video games or tabletop games, we all need to play in order to be healthy and happy.

Ritual—as serious as it is—is also a form of play. It might involve costumes, special tools, the use of special names, unique rules, and skills that are equally at home on stage or film. Reciting memorized lines, altering the character of your voice, adopting a new persona, imagining new songs and poems, and plenty more besides, are all strategies we use equally in pretend and in magic and ritual. The skills of Witchcraft are the skills of healthy, well-adjusted children, encouraged to play as they grow up. I believe this is one of the reasons why Witchcraft feels like “coming home” for so many of us. It’s either a return to a lost childhood, or else it’s the opportunity to experience the joy our childhood should have been.

If you begin to think of your magical practice as play and you accept that play is healthy and necessary at all stages of life, then much of the anxiety surrounding respectability melts away. It becomes enough just to enjoy whatever you’re doing, be it dancing in your living room to celebrate May Day or wearing dramatic makeup to lead your coven in a full moon rite. Yes, invoking gods and summoning spirits is absolutely serious work, but it’s also fun. It’s cathartic and stimulating and empowering—exactly what play is for children. Sneaking into the woods at night, keeping secrets, waving a blade in the air, and lighting candles in the dark is fun, no matter how many exclusive initiations you’ve had or how old you get. Ask any ten-year-old. Allowing your Craft to be fun—to consciously be a form of play—will build your confidence, which in turn will make it more effective.

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