“From the World of John Wick: Ballerina” is the latest explosive entry in the action-packed franchise that first redefined the genre in 2014. Starring Ana de Armas as Eve, the film is a gripping spinoff that dovetails with the events of “John Wick: Chapter 3 – Parabellum,” offering a fierce and emotional origin story for a rising assassin within the criminal underworld.

Haunted by a tragic past, young Eve is taken in by the Ruska Roma under the command of the stern and enigmatic Director (Anjelica Huston). Years later, while on assignment, a revelation from her past reignites a thirst for vengeance—and launches her on a relentless mission for justice and answers.
Like its predecessors, “Ballerina” thrives on its dynamic blend of brutal elegance, stylized violence, and shadowy lore. It follows the familiar blueprint fans have come to love but skillfully expands the mythology with fresh faces and deeper intrigue. Franchise veterans Ian McShane and the late Lance Reddick (in a poignant final performance) lend continuity and emotional weight. And when the legend himself, John Wick (Keanu Reeves), makes an appearance, it’s not just fan service—it’s a satisfying narrative moment that elevates the story without hijacking it.
Director Len Wiseman (Underworld) walks a fine line with confidence, giving Reeves just enough screen time to connect this chapter to the broader saga while firmly positioning Eve as a compelling new lead. Rather than being overshadowed, de Armas rises to the challenge with intensity and vulnerability, proving she can anchor her own corner of this universe. With “John Wick 5” now officially in the works, personally I’d love to see an appearance in that film as well.
“Ballerina” also introduces intriguing new characters, including Norman Reedus as the cryptic Daniel Pine and Gabriel Byrne as The Chancellor, the head of a mysterious cult that adds a new layer to the series’ world-building.
Of course, no John Wick film would be complete without jaw-dropping action, and Ballerina delivers in spades. The choreography is inventive and fierce, with Eve improvising weapons ranging from guns and knives to ice skates and flamethrowers. The stunt work is outstanding, and with the Academy introducing a Best Stunt category next year, this film deserves to be in the conversation.
The core revenge plot may not break new narrative ground, but that’s hardly a detraction. The emotional resonance is found in the execution and character development. In one standout scene, Winston (McShane) warns Eve of her obsession with truth: “Needing to know is what got us banished from the Garden of Eden. Are you prepared to be cast out again… Eve?” It’s a powerful moment that adds philosophical depth into the bullet-laced ballet.
“Ballerina” is a worthy and thrilling extension of the John Wick universe—stylish, savage, and soulful. With a breakout lead, world-class action, and a sharp eye toward the franchise’s future, it dances capably into its own spotlight.