(Note: The Jerk swears a lot. What do you want? He’s The Jerk. Tomorrow, the blog will be heartwarming again. –Simcha)
I’ve been bumped!
Here’s the deal: Tuesdays seem to be prime blog viewing days (what do you ladies do with your weeks?) and every time I post a movie review, Simcha loses at least one subscriber. OK, four.
Now, I could get all angried up about getting moved, but I get paid the same amount no matter when this thing runs. Also, now I don’t have to be that careful with what I write anymore. (That was a warning for the squeamish.)
Onto the movie!
Holy shit! This is the most awesome fucking movie ever made! Fuck you, Orson Welles, Citizen Kane is nowhere near as awesome as one half of a drop of sweat coming off of Stallone during any one of his sweaty, sweaty scenes. I don’t really know what that means.
OK, OK, OK, OK, so Tango (Sylvester Stallone) is this rich guy, who is one of L.A.’s best narcotics cops, and Cash (Kurt Russell) is this slobby, scruffy guy who is also one of L.A.’s best narcotics cops, AND, get this, they don’t like each other! Did you even see that coming? I know, right, totally unexpected, then, the super bad guy no one knows about (Jack Palance playing some guy whose name I forget) totally frames Tango AND Cash for a murder … THAT THEY DIDN’T EVEN DO! Oh, man, then, they have to escape from prison, and their captain can only give them 24 hours to clear their names, and Cash meets Tango’s little sister (Terri Hatcher) who is like some stripper, except she keeps her clothes on and plays the drums during her dance, and Cash really likes her, and Tango totally doesn’t like that, but she’s like “I can do what I want,” and Cash is totally into her, and then they track down all the guys who frame them, and it leads to Jack Palance, who is always in his super secret lair kissing rats, and they go to the guy who made boot guns for Cash and he gives them this totally sweet truck with like machine guns on it, but he’s like “I need that back,” and Tango and Cash are like “We won’t scratch it,“ and they use it to find the super secret lair and the truck gets SQUISHED by some really big things, and then Jack Palance pushes the self destruct button, right? I know. And Tango and Cash chase him to his hall of mirrors (just like Enter The Dragon!) and Jack Palance has Tango’s sister, but Tango and Cash totally save her and kill Jack Palance just in time to run out of the super secret lair before it EXPLODES!!! OK, OK, OK, OK, whew.
Totally. Fucking. Awesome.http://www.youtube.com/watch?v=ZfiptVxW7w4
As you may have guessed, I kind of like this movie, a lot. Perhaps this hampers my ability to provide a critique, but I don’t care.
Let’s start with Sylvester Stallone.
Most people know he got his start with Rocky, but they forget he wrote that movie. Yeah, I know, this guy is not actually illiterate. Watch Rocky again, it is a bittersweet drama with a ton of gritty heart. That guy went on the be Tango.
Kurt Russell is the ultimate utility infielder of movies. This guy started acting as a kid, doing real solid work his whole life, but never being in the truly big pictures. Got a modest budget action movie but you can’t afford Harrison Ford, or Tom Cruise, or John Saxon? You go get Kurt Russell. Not only will he be a decent leading man, he’ll do whatever carpentry you need done on the set.
The other thing you have to kind of like about Kurt Russell is he is one of the few actors out there you seems like a semi-decent human. He’s been with Goldie Hawn forever. They have bunch of kids and they seem like nice people. So what if she’s transgendered.
Jack Palance is a genuine Icon. Shane, and, um, Shane. Crap. I thought this guy made better movies than he really did. I know he won an Oscar for City Slickers, but that was one of those, “We feel bad you’re gonna die soon,” awards.
In any normal movie, the scene where Jack Palance starts kissing the two rats he has named Tango and Cash would be the biggest WTF moment of the whole enterprise. Not this movie. Not by a long shot.
OK, so the director, Andrey Konchalovski, co-wrote Andrei Rublev. That’s something. Right? It shows this is a man with real, lasting talent, despite whatever duds he might has made in a long career. Right?
Well, then there’s Terri Hatcher. Who am I kidding. This is a woman who can’t hold her own acting in a scene with Sylvester Stallone. She probably took her clothes off for money in real life, yet look how unconvincing she is as a drumming stripper.
Probably because in this movie, she kept her dignity, as it were, by keeping her top on. That must have been a new experience for Terri. Speaking of dignity, check out Russell in drag.
The guy’s a pro, like I said. The script calls for him to get up in drag, he’s gonna do it, and be at least twice as convincing as Terri Hatcher!
OK, so the parental warning: If you like this kind of thing, maybe you should not ever become a parent. We’ve got bad language, lotsa violence, some random boobs, and Sly and Kurt doing a prison shower scene.
So, that’s Tango & Cash. No one will be able to top it. Ever. Unless they make a sequel. I’m gonna start on my spec screenplay tonight. Tango & Cash & The Jerk!
Next week, if Simcha hasn’t broken my fingers, I will review one of the following movies: Man With the Golden Gun, which features Christopher Lee’s third nipple; The Lost Boys, a fabulous vampire movie featuring nothing gay whatsoever; or The Legend of Billie Jean, featuring Helen Slater’s, um, shall we say, assets.