I like this. I really, really like this. This Hollow Crown setting is a great deal quieter (and feels more sorrowful) than Bombastic Branagh’s version, which I have long loved (and will continue to love) dearly. And it lacks the spectacular musical spine Patrick Doyle provides for Branagh’s Harry. But the quietness is incredibly powerful — perhaps even more powerful than any number of the more “traditionally” cinematic/stagey versions. And Hiddleston is extraordinary, even in that short clip. It deserves to be better known, methinks.... Read more