Kuba Cloth – The African Fabric That Tells A Story

Kuba Cloth – The African Fabric That Tells A Story April 6, 2021

Kuba Cloth collection of Brooklyn Museum. Image courtesy of wikimedia commons, licensed under CC 3.0

Anyone paying attention to interior design lately has noticed an increase in African textiles, most notably Kuba cloth. Kuba cloth is traditionally made by the Kuba people of what is known in modern times as the Democratic Republic of Congo. The cloth is made from raffia fiber. The fibers are cut and woven by the men of the society, however the women are responsible for the elaborate embroidery and designs. All members of society come together to create these elaborate geometric masterpieces, which are frequently used to tell stories through their symbols, and to honor the ancestors.

A recent article by NPR.org tells us the cloth  was “displayed at one of the first major exhibitions of African art in Europe, in Brussels in the late 1800s, and at the Brooklyn Museum in 1923. The French painter Henri Matisse kept some in his studio and said he would often stare at them “waiting for something to come to me from the mystery of their instinctive geometry.” His 1947 paper cut-out Les Velours reportedly drew on Kuba appliqué. Kuba textiles even appeared in episodes of Grey’s Anatomy and Frasier as archetypes of African fine art.”

Very often the history of Kuba cloth becomes intertwined with the tumultuous history of the Kuba people and their Kingdoms. From the 17th until the early 20th century the Kuba Kingdom was one of the most influential in the world, dominating both the ivory and rubber market. The complexity of their textiles was directly connected to the socio-political structure. The cloth could convey status, both marital and societal, as well as age, and character. Frequently the clothes were worn by royalty, and/or commissioned for special occasions. Nowadays you are likely to find these original creations hanging in a museum, but the patterns and designs have found their way into mainstream culture in a hopefully respectful nod to it’s royal origins !

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About Lilith Dorsey
Lilith Dorsey M.A. , hails from many magickal traditions, including Afro-Caribbean, Celtic, and Indigenous American spirituality. Their traditional education focused on Plant Science, Anthropology, and Film at the University of R.I, New York University, and the University of London, and their magickal training includes numerous initiations in Santeria also known as Lucumi, Haitian Vodoun, and New Orleans Voodoo. Lilith Dorsey is also a Voodoo Priestess and in that capacity has been doing successful magick since 1991 for patrons, is editor/publisher of Oshun-African Magickal Quarterly, filmmaker of the experimental documentary Bodies of Water :Voodoo Identity and Tranceformation,’ and choreographer/performer for jazz legend Dr. John’s “Night Tripper” Voodoo Show. They have long been committed to providing accurate and respectful information about the African Traditional Religions and are proud to be a published Black author of such titles as Voodoo and Afro-Caribbean Paganism, 55 Ways to Connect to Goddess, The African-American Ritual Cookbook, Love Magic, Orishas, Goddesses and Voodoo Queens, and the newly released Water Magic. You can read more about the author here.
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