Christopher Nolan is more than a little intrigued by the notions of time being flexible (see Einstein). If you watch movies like Inception, or even Nolan’s more recent work in Dunkirk, you will see what I mean. This most recent contribution to the ouevre that Nolan writes, producers and directs all by himself is without question the most complex and also confusing. It trades on the notion of inversion, the idea that things from the future can filter back into... Read more