The composer and musician died today:
Dave Brubeck, a jazz musician who attained pop-star acclaim with recordings such as “Take Five” and “Blue Rondo a la Turk,” died Wednesday morning at Norwalk Hospital, in Norwalk, Conn., said his longtime manager-producer-conductor Russell Gloyd.
Brubeck was one day short of his 92nd birthday. He died of heart failure, en route to “a regular treatment with his cardiologist,” said Gloyd.
Significantly, he was also a Catholic convert:
To Hope! A Celebration was Brubeck’s first encounter with the Roman Catholic Mass, written at a time when he belonged to no denomination or faith community. It was commissioned by Our Sunday Visitor editor Ed Murray, who wanted a serious piece on the revised Roman ritual, not a pop or jazz Mass, but one that reflected the American Catholic experience.
The writing was to have a profound effect on Brubeck’s life. A short time before its premiere in 1980 a priest asked why there was no Our Father section of the Mass. Brubeck recalls first inquiring, “What’s the Our Father?” (he knew it as The Lord’s Prayer) and saying, “They didn’t ask me to do that.”
He resolved not to make the addition that, in his mind, would wreak havoc with the composition as he had created it. He told the priest, “No, I’m going on vacation and I’ve taken a lot of time from my wife and family. I want to be with them and not worry about music.”
“So the first night we were in the Caribbean, I dreamt the Our Father,” Brubeck says, recalling that he hopped out of bed to write down as much as he could remember from his dream state. At that moment he decided to add that piece to the Mass and to become a Catholic.
He has adamantly asserted for years that he is not a convert, saying to be a convert you needed to be something first. He continues to define himself as being “nothing” before being welcomed into the Church.
His Mass has been performed throughout the world, including in the former Soviet Union in 1997 (when Russia was considering adopting a state religion) and for Pope John Paul II in San Francisco during the pontiff’s 1987 pilgrimage to the United States. At the latter celebration, Brubeck was asked to write an additional processional piece for the pope’s entrance into Candlestick Park.
Again, it was a dream that led him to accept a sacred music project that he initially refused as not workable. The dream “was more of a realizing that I could write what I wanted for the music,” Brubeck says.
“They needed nine minutes and they gave me a sentence, ‘Upon this rock I will build my Church and the jaws of hell cannot prevail against it.’ So rather than dream musically, I dreamed practically that Bach would have taken one sentence in a chorale and fugue, as he often did, and that was the answer,” he says. “So I decided that I would do that piece for the pope,” which is known as “Upon This Rock.”
Eternal rest grant unto him, O Lord, and let perpetual light shine upon him…
UPDATE: You can hear some samples from his Mass, and watch a terrific profile of him from 2009, here.