About A. G. Harmon

A.G. Harmon teaches Shakespeare, Law and Literature, Jurisprudence, and Writing at The Catholic University of America in Washington, D.C. His novel, A House All Stilled, won the 2001 Peter Taylor Prize for the Novel.

Transcendence: A Tribute to William Christenberry (1936-2016)

house window light 800“The art of losing isn’t hard to master,” Elizabeth Bishop said, with irony. Still, it’s true that we mislay so many things over a lifetime that we become quite adept at bearing our deprivations. By the end, it’s a wonder that we have so much left to convey; the reading of wills should be bankrupt affairs, little more than legacies of good wishes and snatches of fair poetry.

But it’s not just carelessness that empties our pockets. Some things—many things—we simply let fall away. There is intent behind the release, and if not intent, recklessness. As in Bishop’s poem, among the things most commonly lost in this fashion are people. They have a habit of slipping out of our lives all too easily and much too regularly. [Read more…]

The Nightingale Floors

craig-pennington-birds-on-flickrIn Kyoto, Japan, seventeenth-century Nijo Castle contains an architectural feature meant to protect the ruling shogun. The floors in the inner most chambers are constructed in such a way that the nails rub together when trod upon, creating the acoustical effect of chirping birds. Known as “nightingale floors,” the sound acts an alarm, providing a warning against enemies attempting to take the shogun by surprise.

The richness of such a design is manifold, as beautiful as it is practical, as charming as it is inspired. Leave it to the people of silk screens and floating worlds to make something so delightful out of a military defense. The Japanese just have a knack for poetic juxtaposition achieved by means of elegant economy, creating eternal wonders within the space of a few square inches—bonsai trees, haiku, etc.

But when a wildly uneconomic Western mind such as mine comes across something like the concept of the nightingale floors, the idea ranges into metaphors and ironies. Oriental simplicity gets “all mussed up” by occidental complication. I cannot leave the “nightingale” alone, but instead must think of all that it implies. Call it maximalizing the minimal. [Read more…]

An Interview with Newbery Medal-Winning Author Clare Vanderpool, Part 2

walking-away-by-simple-insomnia-on-flickrClare Vanderpool, Newbery-Medal winning author of the novels Moon over Manifest (Delacorte, 2010) and Navigating Early (Delacorte, 2013), got her start by attending a writing workshop at The Milton Center, with which Image was associated in its early years and whose programs are now run by Image. While under a Milton fellowship in the mid-90s, I read one of her earliest works and now discuss her accomplishments in a two-part interview.

Moon over Manifest, set in depression-era Kansas, features 12-year-old Abilene Tucker, whose itinerant father arranges for her to stay in a small Kansas town where he spent his boyhood. There, Abilene is met by a variety of townspeople that have a story as mysterious to her as the reason her father has sent her away. Navigating Early, set in post-WWII New England, tells the tale of young Jack Baker, whose military father puts him in a Maine boys’ school following the death of Jack’s mother. Jack has to make his way in a new world, and finds himself befriended by a strange boy, Early Auden, who sets the two of them on an adventure to find something that everyone, except Early, believes is lost forever.

Continued from yesterday.

AGH: The idea of a youth setting out on a journey, on a “quest” to find himself, is in the line of romances, of chivalric literature, where the hero sets off to prove himself and earn his name. The second novel even has parallels to the Fisher King myth. Was that kind of literature an influence?

CV: I’m sure it was. My two sons grew up reading Tolkien and the Redwall books, so I knew how much questing books were valued by young readers. I read these books as an adult, but really all the books I’ve read throughout my life have gone into a story vault and somehow come out when I need them. [Read more…]

An Interview with Newbery Medal-Winning Author Clare Vanderpool, Part 1

11789685473_f05bf47558_kClare Vanderpool, Newbery-Medal winning author of the novels Moon over Manifest (Delacorte, 2010) and Navigating Early (Delacorte, 2013), got her start by attending a writing workshop at The Milton Center, with which Image was associated in its early years and whose programs are now run by Image. While under a Milton fellowship in the mid-90s, I read one of her earliest works and now discuss her accomplishments in a two-part interview.

Moon over Manifest, set in depression-era Kansas, features 12-year-old Abilene Tucker, whose itinerant father arranges for her to stay in a small Kansas town where he spent his boyhood. There, Abilene is met by a variety of townspeople that have a story as mysterious to her as the reason her father has sent her away. Navigating Early, set in post-WWII New England, tells the tale of young Jack Baker, whose military father puts him in a Maine boys’ school following the death of Jack’s mother. Jack has to make his way in a new world, and finds himself befriended by a strange boy, Early Auden, who sets the two of them on an adventure to find something that everyone, except Early, believes is lost forever.

A.G. Harmon: In your first novel, Moon Over Manifest, you have your main character quote Melville—“true places are never found on any map,” i.e., are more than their locales or their coordinates on a grid. Did that quote influence the novel?

Clare Vanderpool: It definitely was the catalyst of the novel. The notion of a true place and what it is resonated with me. For me, that conjures up a lot memories. I’ve lived in the same place my whole life (Wichita), and memories are around every corner. But for young Abilene (sent by her itinerant father to a town where he’d once lived) who has never had a home, it became a real question. So the idea of finding what a true place is for the character became what the book was about.

AGH: Later, Abilene has a gloss on that—that “true places are found in many places, including on a map.” Are we to take it that a place is indeed its story (pace Melville), but that it can become more than that too—that it is more incarnational—both a place and more than a place? [Read more…]

Elegy for My Father

biscuits-by-pen-waggener-on-flickrMy father: Roy Franklin Harmon, Jr., M.D., passed away on September 22, 2016 at the age of eighty-seven. He was the best man I will ever know. Difficult as it was, my mother wanted me to say something at his funeral service that would at least attempt to encapsulate something of his character. I chose the following story, which captures only a small part of the incarnational Christianity that he practiced.

There is not world enough and time to relate all of the stories about a man as great as my father. They would stretch from a boyhood in Mississippi that was poor but love-filled, through a young manhood of devotion and determination, into a career of courage and dynamism, and a later life of purpose and endurance. He lived his days in bold joy, in unending commitment and generosity of self. He was, to the end, a happy warrior.

But I cannot tell all of those stories now. Only one, of those thousands I could share, must suffice: [Read more…]