This post was originally published at Aquila Style.
The liberal feminist organisation Femen and its members’ naked breasts have had their media run. Now a more modest sort of uncovering is happening, this time in Iranian social media. Last month, London-based Iranian journalist Masih Alinejad started a movement on Facebook and Twitter, translated as “My Stealth Freedom”, to highlight the “legal and social restrictions” faced by women in Iran.
Secular and Muslim women all over Iran are posting photos of themselves without the mandated headscarf, in secluded places where there are no Basij (religious police) to punish them for violating the country’s dress code. The movement is led by women who are removing their headscarves and posting photos of themselves of their own free will.
But the title of an article on Vocativ, “The great unveiling”, gave me a bad feeling. It made me uneasy because the idea of “uncovering-as-freedom” is fraught with historical baggage.
The “great unveiling” has already happened. In fact, it’s occurred many times over in modern history. Algeria under French colonisation is the best example of this.
In Frantz Fanon’s A Dying Colonialism (1959), he points to the use of women as a metaphor for the colonised Arabs. Essentially, they represented the Orient. Because women were the main target of la mission civilisatrice, unveiling them was a way for the French to prove that they had utterly penetrated their Algerian colony.
And unveil the French did: in 1958, the military organised mass unveiling ceremonies of women. These ceremonies took place in several major cities, including the capital city of Algiers, as a deliberate display for the international press. There are reports of women who had never worn a headscarf being forced to put it on and take it off, just for the ceremony. Despite the fact that rural women then also did not habitually wear any head coverings, the veil was taken as a symbol of Algeria’s secret primitivism – for the French to civilise, of course. (more…)