Here (with a touch more Today Show and advertising than one might want):
Good people give ear to me story,
Pay attention, and none of your lip,
For I’ve brought you five lads and their daddy,
Intending to build ye’s a ship.
Wallsend is wor habitation,
It’s the place we was all born and bred.
And there’s nay finer lads in the nation,
And none are more gallantly led.
I’m not a fan of Sting the Melodist; his style is often too jazz/blues-influenced for Mostly Classical Me. I am, however, an enormous fan of Sting the Wordsmith. The man’s a master at “putting the words down and pushing them a bit.” So (somewhat surprisingly even to myself) when the album was released in late September, I got it.
This time, though, I listened to the whole thing. I started at the top, went all the way through to the end, and then back ’round again, just to be sure. And I was glad I did, because the songs are connected in a number of fascinating ways. Themes of fatherhood, the value and the struggle of manual labor, that particular cross of being from a place you simultaneously love and hate — all woven together into a single album.
Even I was able to recognize some striking melodic and lyrical similarities to his “Soul Cages” album, so it was unsurprising to hear that they were connected. (Just as unsurprisingly, perhaps, the album is being turned into a Broadway musical, appearing next Fall. So I can’t have been the first person to notice the story-line.)
“Before I began writing for this project, I hadn’t written anything in about eight years,” Sting wrote in a June 5 blog entry for The Huffington Post. “I’d lost the urge to create—the urge that had driven me most of my life. But once I decided to turn these memories of my childhood into a narrative, and began to think of writing for other people—for other characters, from other viewpoints apart from my own—the songs came very quickly….
Interestingly, this particular song — What Have We Got? –is probably the most “stand-alone” song on the entire album. But it’s a great deal of fun, and it comes right after the album’s lynchpin (at least for me): The Ballad of the Great Eastern.
More on this later, I suspect.