UPDATE: Okay, call it FIVE amusing links, thanks to Iowahawk
First up: Mark Steyn had me guffawing over my cornflakes this morning with this one:
The Senior Advisor [Valerie Jarrett] seems to have forgotten that she is the power. Admittedly, this is a recurring lapse on the part of the administration. There was Barack Obama only the other day blaming everything on the president — no, no, silly, not him, the other fellow, the Designated Fall Guy who stepped down as head of state in January to accept the new constitutional position of Blame Czar. Musing on problems in Afghanistan, Obama blamed the “long years of drift” under his predecessor. The new president — okay, newish president — has been Drifter-in-Chief for almost a year but he’s too busy speaking truth to the former power to get on top of the situation. It could be a while yet. In his more self-regarding moments, such as his speech to the U.N., he gives the strong impression that the “long years of drift” began in 1776.
Rocco Landesman, head honcho at the National Endowment for the Arts, seems closer to the reality of the situation. In his keynote address to the 2009 “Grantmakers in the Arts” Conference, Landesman hailed Obama as “the most powerful writer since Julius Caesar.” He didn’t mean a “powerful writer” as in a compelling voice, gripping narrative, vivid characterization, command of language, etc. He meant a “powerful writer” as in Caesar was king of the world, and now Obama is. He came; he saw; he stimulated: “If you accept the premise, and I do, that the United States is the most powerful country in the world, then Barack Obama is the most powerful writer since Julius Caesar. That has to be good for American artists.”
I suppose so. He could invade somewhere and force the natives to accept degrading roles in NEA-funded performance art. He could take out the Iranian nuclear program by carpet-bombing it with unreadable literary novels. That is, if you “accept the premise” that the United States is the most powerful country in the world. Rocco Landesman may, but it’s not clear, from his actions (or inactions) in Eastern Europe, Iran, Afghanistan, and elsewhere, that the president does. But, even so, it seems an odd pitch to “American artists.” Rocco Landesman, Speaking Goof to Power, isn’t the first Obama groupie to enjoy the kinky frisson of groveling obsequiousness, but he’s set an impressive new standard in public revelation thereof.
It goes on like that; a little gem of intelligent and pointed snark. And if you read into the second page, well, I blush to say, this fellow even mentions yours truly, so read it all!
Steven Crowder: One of his best take-down’s yet; I laughed myself silly:
“The colorful mural by acclaimed artist Guy Colwell features Speaker Nancy Pelosi lancing a Republican elephant; a Terminator-dressed Governor Arnold Schwarzenegger patting the back of a grizzly bear; Senator Dianne Feinstein waving the California State flag; Mayor Gavin Newsom performing a same-sex marriage ceremony; former Mayor Willie Brown brandishing a freshly pressed suit. . . former Supervisor Harvey Milk waving a Castro Rainbow flag with former Mayor George Moscone by his side; actress Marilyn Monroe hugging baseball Hall of Famer Joe DiMaggio on the back of a giraffe…”
You can see a picture of the mural, here.
Considering the art world’s Leftism, it can’t be a coincidence that, despite the worst recession in decades, art agencies just got their highest funding in 16 years. After all, if you were on the Left, wouldn’t you want to fund people like the Chief of the National Endowment for the Arts, who is not only someone whose paycheck has a lot to do with American taxpayers, but who also is a man who thinks Obama is the most powerful writer since Julius Caesar.
They’ll get away with as much as we let them