Hollywood has had an eschatology fetish lately: exploring the final days, coming demise of the cosmos, or post-apocalyptic scenarios of the human race. Ridley Scott’s Prometheus, a prequel to his Alien movies, takes us back the other direction–to humanity’s origin. It’s science fiction, of course; I stress the fiction here, because while it’s an enjoyable movie–alternatively mysterious, gripping, and laughably absurd–it has little interest in actual science. To me, the best science fiction tries to trick you by slipping in... Read more