CAMERA SEPARATE: Epilogue: transsexuality in photography. I did not get a lot from the theory-of-photography here–it seemed somewhat intro-level–but then again, photography and comics are the only visual media where I feel like I really grasp even the intro-level theory, so maybe either I’m missing something or the epilogue is aimed at an audience who haven’t done Paradoxes of the Leica 101. I did find Prosser especially personal and appealing in this chapter, for example in his description of his fierce protectiveness toward a transsexual woman featured in a pin-up book which mixed exploitation and reclamation.